
Art direction essays, frameworks, and visual research by Zoë Yasemin — covering image-making, brand strategy, fashion, and visual culture for art directors, photographers, and creative directors.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 164 | Founded | 3 years ago | Last Issue | 9 days ago |
| Active | |||||

Toteme 2024 Fall Campaign, a brand that has restraint at its core (not in a trendy way)
The signature image of luxury image-making between roughly 2020 and 2025 was a beige cashmere coat on an unbranded silhouette in a soft-lit domestic in...
How the disciplines you can't choose between become the work only you can make
At some point most people who work across more than one discipline are told to pick one. Narrow down, specialise, decide what you are. It is presented as maturi...
Richard Avedon, Nastassja Kinski and the Serpent, Vogue, October 1981. Shot in Los Angeles. A Burmese python draped across the nude Kinski on a cement floor, with a snake trainer crouching out of frame trying to position it. The shoot took...
Richard Avedon for US Vogue, October 1966.
In one of the scenes of The Devil Wears Prada 2, Nigel is talking to Andy during lunch. He pauses for a second and says something close to this: we used to camp for four weeks in Africa with Avedo...
Nobody tells you this when you start. You figure it out slowly, usually after you have already been working for a while and realise that the gap between you and the people getting the oppor...
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The writers behind this newsletter.
Art director specialising in fashion and luxury image direction, working from visual research and image culture through to production.
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