For your writing craft and creative growth.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 77 | Founded | 2 years ago | Last Issue | 4 days ago |
| Active | |||||
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WRITING CRAFT: HOW TO CLOSE A THOUGHT SO COMPLETELY IT OPENS AGAIN
CHIASMUS: Write a sentence that folds back in on itself.
Ask not what your country can do for you. Ask what you can do for your country. Beauty is truth, truth beauty. It’s not the men in my life that count. It’s the life in my men.
HOW TO GET THROUGH THE MIDDLE OF YOUR CREATIVE PROJECT
4 TRAPS THE CREATIVE MIDDLE SETS AND THE TOOLS TO GET PAST EACH ONE
You’re past the rush of starting, those first pages or sketches or recordings that felt like they were going somewhere. And now you’re somewhere in the middle, and the thi...
UNDERSTANDING NEGATIVE SPACE, A SHARED CREATIVE DISCIPLINE
What a poet’s line break, a jazz musician’s silence, a filmmaker’s cut, and a comedian’s pause all have in common, and what it means for everything you make.
A photograph that’s mostly sky, with a small figure at the bottom. A line of dial...
WRITING CRAFT: HOW TO SAY MORE BY WRITING LESS
COMPRESSION: What you remove is as important as what you keep.
The last two lines of Hemingway’s “A Farewell to Arms”: Henry has just lost Catherine. He walks back to the hotel in the rain. No naming of grief. No interior monologue. No exp...
A WORKING LIBRARY FOR ANY CREATIVE. WRITING IS THE SPINE. THE WORK IS YOURS.
Every creative practice runs on language, even when the final output is not made of words. A designer briefs a project. A filmmaker writes a script and pitches a treatment. A musician chooses a lyric, names a record, writes the bio. A paint...
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CREATIVE, BERLIN
Academic Dean at Achievement First Providence, teaching performance pedagogy at Brown/Trinity Rep & NYU: embodied presence transforms teaching.
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