Alison Aye Has No Authority
Alison AyeStitched collage artist. Wanting more working class voices in the Arts.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 32 | Founded | a year ago | Last Issue | 10 days ago |
| Active | |||||
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The Audience 2026, Days 1 - 120
The Audience 2026. Work in progress. Copyright: Alison Aye, 2026.
I continue to record the year by stitching newspaper faces.
For a full list of ‘sitters’, see below.
Click on the month for the newspaper articles - January, February, Mar...
Touchlines
Photo by Dr Nayeem
Two days ago, accompanied by the ever-supportive Cathy, I went to do my invigilating stint at Sunny Bank Mills where ‘Without Fear Or Favour’ is on display as part of a 62 Group show.
I left home at 4.40am and returned...
I’m in 4 shows in May
Without Fear Or Favour, 2026. Copyright: Alison Aye, 2026
- ‘Without Fear Or Favour’ (which Jon Nicholls has written about here) is in a ‘62 Group’ show curated by Ealish Wilson and Claire Barber.
TOUCHLINES, it’s called. 10am - 4pm from...
Three Hands
I have a piece of work in an exhibition in Islington soon. Full details at end.
Three Hands
Alison Aye, 2019
29 x 35cm, framed
Hand-stitched collage made from discarded papers.
From left to right.
Hand 1: Julian Assange Metro (12.4.19...
The Audience 2026, Days 1 - 90
I have been recording the year in this way, on and off, for a decade. Stitching a newspaper face to cloth each day, that is. Sometimes I manage to finish. Sometimes I don’t. So far this year I’m on track.
It’s the actual newspaper that I’v...
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Authors
The writers behind this newsletter.
I make hand-stitched collages/diaries with discarded newspapers and clothes, and I write about it here. Plus class-ceiling rants. And London.
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