
Stitched collage artist. Wanting more working class voices in the Arts.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 51 | Founded | 2 years ago | Last Issue | 4 days ago |
| Active | |||||

“A communication has arrived, sir,” Jeeves observed, shimmering into the room with the morning tray. “An Aye Wednesday missive, if I am not mistaken.”
“Boring, Jeeves,” Bertie groaned, reaching for the tea. “Deadly dull, I’ll wager.”
“She...
Are We All Sitting Comfortably? Section 3, sitter 25: Andy Carroll (detail). Stitched in 2019. Work in progress. Cut from Mark Noble’s column in the London Evening Standard, 12.4.2019. Photographer uncredited. Newspaper hand-stitched to lin...
Sheltered (detail), 2018. Section 1: Building 5. Grenfell Tower, cut from the Guardian, 18.1.2018. Article by Robert Booth. Photo by Dan Kitwood/ Getty Images. Building 6. Scene 47 of the Bayeux Tapestry. A woman leads a child out of the bu...
Sarah Lucas and Tracey Emin by Carl Freedman, 1993. Standing in the doorway of ‘The Shop’ on Bethnal Green Road, London. Cut from Artrage by Elizabeth Fullerton, Thames and Hudson 2016.
“Quickly, Jeeves! Battle stations! The telegram boy i...
The state-of-the-art map I intended to follow, but then the lovely Henny Lees turned up and gave me a lift. So I can’t actually verify the internet’s claims that it takes 22 minutes to walk from Tension Gallery to the Lovely Gallery.
“Wedn...
Subscribers, engagement, traffic and sponsorship for Alison Aye Has No Authority.
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The writers behind this newsletter.
Documenting our times by hand-stitching collages from discarded newspapers/clothes. Class-ceiling rants. And London. New article every Wednesday, fingers crossed.
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