And So-shu stirred in the sea
Edward McLarenwritings about art, poetry, faith and theory
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 16 | Founded | 4 years ago | Last Issue | 3 months ago |
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Lucretius, or the Afterlife as Parasite
William Blake, Elohim Creating Adam (1795).
It is self-evident that a hierarchy of intelligence, class, and acculturation—although not originality—exists in the Humanities today, with Classics remaining the gold-capped tower of the whole p...
The Emerald Tablets of Thoth: Of Dactyls, Artifice, and Conspiracy
Maurice Doreal, seemingly in the Brotherhood of the White Temple’s then HQ in Denver, 1943.
In Telling Rhythm: Body and Meaning in Poetry (1994), Aviram F. Amittai makes the case that poems function as “allegories of the sublime power of r...
John Ruskin’s “Of Queens Gardens”, and Patriotic Socialism
Edward Linley Sambourne’s cartoon “The Rhodes Colossus”, Punch, 1892.
In her book Sexual Politics (1969), the feminist Kate Millett brutally criticises John Ruskin’s lecture “Of Queens’ Gardens” (1864) for exhibiting a “bland disingenuousn...
William Gilpin: Destroyer
Henry Walton’s portrait of William Gilpin, oil on panel, (1781).
Landscape, (1st February, 1794).
“My dear sir,” said Mr. Milestone, “accord me your permission to wave the wand of enchantment over your grounds. The rocks shall be blown...
Novel Extract: The Sleep of Orphus
Text within this block will maintain its original spacing when published
Past the empty blue reception desk by the big window pixelated with ice are two children: brothers. He does not look them in the faces for fear th...
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