
NYC-based film industry veteran, writer, and educator. Sharing real-world insights on filmmaking, writing, digital wellness, and culture. Worked with HBO, Netflix, CBS, Showtime. Helping readers see behind the scenes—on set and in life.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 48 | Founded | a year ago | Last Issue | 2 days ago |
| Active | |||||

Hello everyone,
Before I begin, I want to be clear that I don’t write reviews here. I am simply a screenwriter trying to help other screenwriters. That’s my thing. I am a simply a screenwriter and filmmaker, not a critic.
But this film ha...
By now, you’ve hopefully accepted two important truths:
Every serious screenwriter should have at least one pilot.
A pilot is a very different animal than a feature.
Now I’d like to suggest something that may be even more im...
In Part 1, we discussed why every screenwriter should have a pilot in their portfolio.
In Part 2, we explored how pilots differ from features. Features are built to satisfy. Pilots are built to seduce.
Now it’s time to get practical.
Let...
Dinosaurs are not the most important thing in Jurassic Park.
That might sound ridiculous considering the film is filled with Tyrannosaurs, Velociraptors, and some of the most groundbreaking visual effects ever put on screen.
But the scene...
One of the biggest mistakes aspiring television writers make is writing a pilot that feels like a movie.
On the surface, this sounds like a compliment.
It’s not.
Because features and pilots have fundamentally different jobs.
A feature i...
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| Subscribers | Engagement | 60 | Monthly Web Visits | ||
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| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
NYC-based film industry veteran, writer, and educator. Sharing real-world insights on filmmaking, writing, digital wellness, and culture. Worked with HBO, Netflix, CBS, Showtime. Helping readers see behind the scenes—on set and in life.
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