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Anotações de um Cinefilo

Filipe Furtado

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Latest Issues

Ford’s great expressionist fever

John Ford’s work made prior to his three 1939 movies is still regarded too often as something of a prehistory, a rehearsal for the great movies he would make between Stagecoach and The Man Who Shot Liberty Valance. It is unfair (as it is ex...

4 days ago
8

A Grande Febre Expressionista de Ford

A obra de John Ford anterior aos seus três filmes de 1939 ainda é vista, com demasiada frequência, como uma espécie de pré-história, um ensaio para os grandes filmes que ele realizaria entre Nos Tempos das Diligências e O Homem que Matou o...

4 days ago
8

Auteurist Fireworks

For the past 15 years or so, Olivier Assayas’ movies have suffered under a problem of self-image. An extended mid-life crisis in which the filmmaker, who was once heralded, deservedly or not, as an exciting new voice, seems stuck at the wei...

6 days ago
7
1

Fogos de Artificio de Autor

Nos últimos 15 anos, mais ou menos, os filmes de Olivier Assayas têm sofrido com um problema de autoimagem. Uma prolongada crise de meia-idade em que o cineasta, que já foi abraçado, merecidamente ou não, como uma nova voz empolgante, parec...

6 days ago
5

Bonds of Faith

First, a few updates. My monthly column for Á Pala de Walsh, which uses Alex Ross Perry’s essay film Videoheaven as a starting point to talk about videostores, came out this week (Portuguese only, I'm afraid). I forgot to mention it here, b...

10 days ago
4
1

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  • Filipe Furtado

    Crítico de Cinema. Ex-editor das revistas Paisà e Cinética. Atualmente na Abismu.

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