
My personal Substack
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 41 | Founded | 3 years ago | Last Issue | 4 days ago |
| Active | |||||

John Ford’s work made prior to his three 1939 movies is still regarded too often as something of a prehistory, a rehearsal for the great movies he would make between Stagecoach and The Man Who Shot Liberty Valance. It is unfair (as it is ex...
A obra de John Ford anterior aos seus três filmes de 1939 ainda é vista, com demasiada frequência, como uma espécie de pré-história, um ensaio para os grandes filmes que ele realizaria entre Nos Tempos das Diligências e O Homem que Matou o...
For the past 15 years or so, Olivier Assayas’ movies have suffered under a problem of self-image. An extended mid-life crisis in which the filmmaker, who was once heralded, deservedly or not, as an exciting new voice, seems stuck at the wei...
Nos últimos 15 anos, mais ou menos, os filmes de Olivier Assayas têm sofrido com um problema de autoimagem. Uma prolongada crise de meia-idade em que o cineasta, que já foi abraçado, merecidamente ou não, como uma nova voz empolgante, parec...
First, a few updates. My monthly column for Á Pala de Walsh, which uses Alex Ross Perry’s essay film Videoheaven as a starting point to talk about videostores, came out this week (Portuguese only, I'm afraid). I forgot to mention it here, b...
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The writers behind this newsletter.
Crítico de Cinema. Ex-editor das revistas Paisà e Cinética. Atualmente na Abismu.
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