
J. R. R. Tolkien's Elvish scripts and languages in calligraphies, poetry and analyses. By Florian "Lothenon" Karnstein, formerly of sindarin.de.
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In Feanorian A from the late 1930’s1 we learned that in full writing (in this case the Parmaqestarin mode of Qenya) the letter that is otherwise used as a long vowel carrier (later called andatelco, ’long-stem’) can have a more elaborate fo...
From various documents, many of which we have known for decades, we have long had a rather clear picture of how Tolkien transcribed the consonants of English in what he called ‘phonetic’ tengwar writing, and we have also had a couple of com...
Pyrography (woodburning) is my latest passion, and currently I'm mostly trying to create Tolkien illustrations in a roughly 14th century style with some Tengwar calligraphy.
In my latest piece I show Maedros’ rescue from Thangorodrim, wit...
For the scripts that J. R. R. Tolkien developed during the 1920’s he sometimes considered a distinct set of characters for numerals.
In the latest of those sources that is not yet clearly identifiable as Tengwar (th...
In Tengwar hooks can be appended to the end of a word to mark a following s (especially the inflections of English).
So far, so good. But where exactly do these hooks go and how are they oriented?
The answer to this question isn’t always...
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J. R. R. Tolkien's Elvish scripts and languages in calligraphies, poetry and analyses. By Florian "Lothenon" Karnstein, formerly of sindarin.de.
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