
░░░▒▒▒▒▒▓⫸ \ud835\ude0b\ud835\ude22\ud835\ude2f\ud835\ude24\ud835\ude2a\ud835\ude2f\ud835\ude28 \ud835\ude38\ud835\ude2a\ud835\ude35\ud835\ude29 \ud835\ude08\ud835\ude10... ⫷▓▒▒▒▒▒░░░░ A personal journey of creating art from code to reveal how our computers shape us.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 27 | Founded | 3 years ago | Last Issue | 6 months ago |
| Active | |||||

Still from the new work. When we mould a medium to represent the familiar, the medium itself becomes visible through its flaws and limitations.
WORK-IN-PROGRESS SHARING
DATE: Thursday 4 December 2025
EVENT: Deep Assignments #03
LOCATI...
Hello, it’s been a while. Often when you have a break in a newsletter a few people unsubscribe in a fury because they can’t remember signing up. If that’s you, no hard feelings. The link is at the bottom.
Over the years from watching frien...
Hey everyone, three months without a newsletter and now an epic one. There are a lot of hot takes on AI, art, technology and society right now, and they rub up against ideas that are fundamental for me. It’s taken me a bit to figure out how...
Hey everyone, hope you’re having a good summer/winter.
I made a music video for my friend Zac Gvi’s band The Nonidentical.
I used the same customised StyleGAN3 model from much of my recent visual work, sticking here to high magnification...
Cave of Sounds at 90dB Sonic Arts Festival, Rome, 2014. The guy is playing an instrument by casting shadows with his hands.
On Thursday I’m doing an AMA (Ask Me Anything) for Music Hackspace on AI and Artistic Identity. Here’s my starting...
Subscribers, engagement, traffic and sponsorship for ART⋂CODE.
| Subscribers | Engagement | 64 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Computational artist and engineer connecting AI, the moving body and the audio-visual. My work explores the parts of being human that get left behind when we interact with technology. I love open-endedness, (human) wildness, contradiction and chaos.
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