
Essays on film, politics, and the stories we need
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 7 | Founded | 3 months ago | Last Issue | 21 days ago |
| Active | |||||

We meet Athena as a goddess, appearing to Odysseus as she always has in Homer: divine, present, offering counsel. For most of Christopher Nolan’s film, she is exactly what we expect her to be, the immortal protector of a mortal hero trying...
The bow doesn’t move.
In a very mundane, gray setting, Telemachus stands in front of his mother and he cannot string the bow. Anne Hathaway’s Penelope doesn’t soften the blow, like a mother is expected to. Nope, instead she shouts, making...
Spider-Man comic book cover.
With the recent discourse surrounding Spider-Man after the release of Spider-Man: Brand New Day, there has been a lot of discussion surrounding the fact that the titular character is at his lowest point in this...
People were furious when Helen of Troy was Black.
Not uncomfortable. Not curious. Furious. As if the accuracy of a Bronze Age myth, a story that was never a historical document, photograph, or anything other than a human being trying to ma...
There is a moment in Munich (2005) that stops the film completely. Not because of the violence. Because of the words.
Avner is sharing a safehouse with Ali, a PLO member, technically his enemy, temporarily his reluctant ally. And Ali says...
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The writers behind this newsletter.
I started watching films to escape. Then I realised they were the only place telling the truth. Essays on cinema, politics, and the messy human things in between. Written by someone still figuring it out.
A recent film graduate girlie discovering life in NYC and talking about movies!
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