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AuralFrame

Lloyd Dean

A place for film criticism and deep dives on how music transcends cinema.

Platform
Substack
PricingOnly free issuesPublishesTwice weekly
Issues30Foundeda year agoLast Issue5 days ago
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Latest Issues

Obsession (2026): Objectification, opportunity and conscience

Source: ScreenRant

Spoilers.

Meet Bear. Age unknown. Maybe mid-20s. Fed up with his loneliness and the way things are going he decides to finally tell his friend, Nikki, he’s madly in love with her. She’s already told him about a book she...

5 days ago
19
2

Watching Michael (2026) triggered me

Everyone has a tale about Michael Jackson. For some, it’s listening to his infectious music for the first time and the joy Smooth Criminal or Thriller brought them. Or seeing him moonwalk effortlessly. My mother, heavily pregnant at the tim...

9 days ago
20
16

Mortal Kombat II (2026)

Source: GameRant

One of many criticisms thrown at Simon McQuoid’s Mortal Kombat (2021) was aimed at the film’s clunky story that was - to be kind - confusing in its approach. Despite over 100 characters the franchise has introduced since i...

17 days ago
13
5

4 alternative films featuring music from The Verve

The Verve were one of the UK’s most iconic bands and achieved global success with their 1997 album “Urban Hymns”. Their lead singer, Richard Ashcroft (now a revered solo artist), is one of the most talented artists of his generation and The...

2 months ago
12
4

Project Hail Mary (2026)

Source: No Film School

Project Hail Mary is at its most entertaining when school-teacher-turned-astronaut Ryland Grace (Ryan Gosling) has first contact with an alien called Rocky (named by Ryland for its bouldery appearance and voiced by J...

2 months ago
19
7

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  • Lloyd Dean

    I write film criticism and publish movie reviews and exploratory film essays on AuralFrame, often guided by sound. You can also follow me on Letterboxd (link below).

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