Bin on the Bank
Welcome to Bin on the Bank!
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 22 | Founded | 8 months ago | Last Issue | 10 days ago |
| Active | Language |  ZH-CN | |||
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binonthebank.substack.comLatest Issues
我为什么写作 | Why I Write
Read this letter in English…
1
小时候我非常会讲故事。
妈妈说，在幼儿园，有的时候老师们会让我来给小朋友们讲故事，这样老师们可以好好休息上很长一段时间。
是不是帮老师们休息了，这一点我记不清楚，但我倒是清晰地记得讲故事的场景——我和小朋友们坐在小板凳上围成一个圈，我总是会讲一些历险的故事，这样可以边讲边编情节，大致都是奥德赛或者西游记那种奇幻的旅程。
这种故事非常好讲，我经常把自己想象成也在这个故事里，情节往往就会自动展...
大时代下我们的安身立命之法——725沙龙：大卫翁How We Make a Life in Times of Transformation: 725 Salon｜David Weng
Read this letter in English…
你好，见字如面。
几年前我在播客世界里找到一档财经类别的播客《起朱楼宴宾客》。主理人叫大卫翁，曾经有着丰厚的金融从业经历，私募基金、主权基金全都做过，算是圈内人。这个播客对他又不只是玩票，而是在他离开体制之后全身心去做的一件事情。
专业的训练加上全身心的投入，自然质量不会差。
听久了就会发现，大卫翁骨子里其实是个挺悲观的人。这种悲观甚至不只是来自于金融从业者那种严谨保守的职业风格。
后来我们在中国、...
对话罗大佑｜A Conversation with Lo Ta-yu
嘉宾
罗大佑｜著名歌手、词曲作家、编曲家、作家
本期节目介绍
本期播客，我们请到了罗大佑 ，我和他从一场在纽约的音乐会聊起，展开了一次关于音乐、人生与时代的长谈。
在Carnegie Hall的春龙音乐会上，从最初的克制到全场合唱的释放，这种变化也让人重新理解罗大佑的魅力所在——很难用一种风格去定义他。
从《童年》的民谣，到《鹿港小镇》的表达，再到更复杂的文化隐喻，他的创作始终在不同方向之间展开，也不断突破边界。
为什么他能够在不同风格与主题中都做到极致？一个音乐...
罗大佑、第二次纽约快闪、茨威格｜Lo Ta-yu, the Second New York Pop-Up, and Stefan Zweig
Read this letter in English…
你好，见字如面。
4月18日，罗大佑第一次登台纽约卡内基音乐厅，演出他的《春龙》交响音乐会。他说这是他的梦想——作为一个流行音乐人，在一个古典音乐的殿堂举办音乐会。
罗大佑的野心很大，舞台上除了交响乐常见乐器之外，中国传统的长笛、笙、扬琴等等也都被他搬上舞台，他试图将自己的音乐与巴赫进行关联，就连音乐会的名字，也挂上了“交响”二字。这是71岁的罗大佑，一生众多尝试中的又一步。
这是一个有趣的错位。...
昨日世界的崩溃、茨威格的宿命、我们的当下｜The Collapse of Yesterday's World, Zweig's Fate, and Our Present
Read this letter in English…
1942年2月22日，敏感、悲观的茨威格陷入了最后的绝望。身着衬衫，打着领带，也许也精心梳理了他那招牌式的卫生胡，和他的第二任妻子一起，在巴西南部小城彼得罗波利斯共同服下致命剂量的安眠药，终结了自己的生命。
这是一个多么意想不到的结局啊。
茨威格，一个出生、成长于奥地利富裕犹太家庭的文学天才；一个一生用德语写作的知识分子，在巅峰时代读者遍布全球，包括希特勒、列宁；一个优游于当时最顶级知识世界的社会名流，...
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