SHIFTED
Notes, impressions and artists interviews focusing on environmental digital art.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 26 | Founded | 3 years ago | Last Issue | a month ago |
| Active | |||||
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blueshiftgallery.substack.comLatest Issues
SHIFTED #23: Perception Loops - On Seeing, Being Seen, and Machine Interpretation
I’ve been thinking about what it means to be looked at by something that doesn’t have eyes like ours.
Not in an uncanny valley way. More like, what happens when another kind of perception lands on you. One that doesn’t share your assumptio...
SHIFTED #22: On a New Curatorial Ecology: Attentive, Situated, and Slow.
As a new year begins, I’d like to call for a pause; a pause looking at a sun rising, a ripple lapping against a stone in a river, a snowflake melting on the skin, a clock that marks the start of a new year.
You can also find the same kind...
SHIFTED #21: On Slow Futures and Other Forms of Presence
Do you often find yourself staring at something without really looking at it? Seeing what is there, but also what is not there at the same time? Feeling as though the image is moving delicately while remaining frozen? There is something uni...
SHIFTED #20: On Hydrofeminism, Posthuman Care, and the Politics of Water
Some say water never forgets. It carries what we’ve lost and what we’ve made: salt, memory, waste, desire, circling through us and the world without end.
Hosted on common-garden, the artist-led platform by Constant Dullaart, You Were Neve...
SHIFTED #19: On AFROSCOPE’s Living Technology and the Ancestral Code of Speculative Futures
Isaac Nana Akwasi Opoku a.k.a. AFROSCOPE’s work in the exhibition Down the Silicon Meadow, offers a quiet proposition: what if the most advanced technology we’ve ever known is the human being itself? In the digital illustration Living Techn...
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Authors
The writers behind this newsletter.
Critical reflections on ecology, more-than-human life, and posthuman futures, explored through contemporary art practices shaped by, but not limited to, emerging technologies. Written by Diane Drubay.
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