
Notes, impressions and artists interviews focusing on environmental digital art.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 21 | Subscribers | Read | blueshiftgallery.substack.com |
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In the dark, shoes left at the entrance, with a single light bulb, high up, swaying gently, and nothing but sound and vibrations, a feeling of constant terror, relentless excessive noise, not a moment to breathe, to exist.
One of the artworks from Tamiko Thiel I always admired was a commission by the Whitney Museum of American Art called “Unexpected Growth” in 2018. Its apparent simplicity and naivety were actually hiding a strong critique of our current cons...
Looking at the artwork, Andrea G. Artz’s “Albertina the Snow Woman” feels like witnessing an intimate ritual, something that you are not supposed to see. A figure, part sculpture, part avatar, moved through a luminous, snowy environment wit...
When we were chatting about our upcoming curation with Tina Sauerlaender from RadianceVR, On the Edge of the Horizon, I instantly loved the idea of Anke Schiemann giving voice to seeds in her work Seed Wisdom.
Other publications recommended by the authors of this newsletter.
The writers behind this newsletter.
Critical reflections on ecology, more-than-human life, and posthuman futures, explored through contemporary art practices shaped by, but not limited to, emerging technologies. Written by Diane Drubay.
Sharing my art and my process with the world so others are encouraged to do same.
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