Photojournalism chit-chat, & a critical look at the visual news industry, by British photographer Bradley Secker. A meandering cocktail of thoughts, conversations, advice & tips. All served with a dash of geo-politics, satire, and camp. WELCOME!
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 61 | Founded | 5 years ago | Last Issue | 5 days ago |
| Active | |||||
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Camera consciousness, the observer effect, and performative behaviour
Omnipresent, ubiquitous, and always watching.
George Lawrence’s Mammoth Camera (1900). Photo by Unknown | Public Domain
When exactly did we all become aware of the camera’s ever-present gaze? Were we always aware of it, even from the ear...
Obstructions
The universality of barriers, fences, walls, and other obstacles
This post idea came from thinking about a very specific and irritating cable that ruins thousands of tourist’s photos of Hagia Sophia/Aya Sofya, Istanbul’s most famous touris...
Summer oozes nostalgia
Is nostalgia appealing because the future is so uncertain?
The excessive summer sunshine, and the Mediterranean Sea always make me swim in waves of nostalgia. Maybe it’s because of all the former empires the area has seen, the historical r...
From conceiving to birthing ideas 🧠
Thoughts on the creative cycle, making ideas happen, and plenty of failures and frustrations along the way.
Conjuring up ideas feels great, occasionally followed by some preliminary online research, only to find that something very similar...
The view from a bridge
Deconstructing why an Istanbul bridge is a photographic hotspot, and how to photograph the places everyone else does
Istanbul is well kn…
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Authors
The writers behind this newsletter.
Photojournalist in Istanbul. Brit. Work focuses on concepts of home, \ud83c\udff3️\ud83c\udf08 rights, politics, migration & more. Love quiet photography & conceptual storytelling. Writing on photo/visual commentary, critiques, & behind the scenes of photojournalism
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