
Inspired by creatives and by critics, I write about worldbuilding as a process, a practice, and a politics. This is worldbuilding considered as a means of understanding contemporary life and what it could be.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 15 | Founded | 2 years ago | Last Issue | 6 months ago |
| Active | |||||

“We live in capitalism, its power seems inescapable — but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words...
This panel posits that imagining the storyworlds present in narrative texts is an intensely collaborative act—though not one that always feels like collaboration. From escapist activities such as binge-watching and doomscrolling to more eff...
Hi, all! I hope Spring is coming to a close with grace for you. The world is still bleak. I will return to posting every other week (or so), so you can stay tuned if that appeals to you.
My news is that I have signed a contract for Worldb...
What a bleak start to the year. Sorry to say it. The fires in LA, ongoing genocide in Gaza, another round with Trump, and here in what’s currently known as Canada the horizon of partisan politics is bleak. I hope and trust that you have som...
A storyworld project spans Janelle Monáe’s musical oeuvre. The first EP Metropolis: The Chase Suit (2007) opens with “March of the Wolfmasters,” a track that plays on golden-age sf tropes and includes an in-world, diegetic announcement of t...
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The writers behind this newsletter.
Academic with Worldbuilding Interests
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