Broadway DNA Blog
Natalie RineMusings on theatrical IP from around the world
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 88 | Founded | 5 years ago | Last Issue | a year ago |
| Active | |||||
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broadwaydnablog.substack.comLatest Issues
Money Money Money: Theatrical Licensing as Resistance
Good morning (or afternoon) world!
Hey there, remember me? (Quick refresher.) I’ve just returned from the Bangkok International Performing Arts Meeting (BIPAM) excited for the future of global arts exchange and with tons of new global...
REVIEW: NYTW’s “A Knock on the Roof”
Khawla Ibraheem in A KNOCK ON THE ROOF at New York Theatre Workshop, photo by Joan Marcus
Beginning the show with a lowkey entrance while the house lights are still up, as if accidentally early, Khawla Ibraheem sits alone on stage waiting...
REVIEW: Wakka Wakka's “Dead as a Dodo”
The world leader in visual theatrical imagination, Wakka Wakka returns to New York’s Under the Radar festival with the gutting, cutting-edge Dead as a Dodo, their fifth major co-production with Nordland (Norway) Visual Theater.
Dead as a D...
REVIEW: “SpaceBridge” at Under the Radar
The ensemble of “SpaceBridge” (Photo by Walter Wlodarczyk)
Conceived and directed by Irina Kruzhilina, Visual Echo’s SpaceBridge transforms TYA pedagogy into urgent docudrama for our times. Presented by La Mama in association with En Garde...
REVIEW: Notch Theatre Company Presents “Cafe Utopia”
It’s been a busy season for Broadway DNA, licensing new work around the world, producing new work in the US, publishing new theatre research, and speaking at conferences around the world (next week: The National Theatre Brno). In addi...
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international musicals licensing / 뮤지컬 프로듀서
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