Table
Bryan HalfertyA place for thoughtful reflection on contemporary events, spiritual formation, and well crafted words. Written and curated by Bryan Halferty.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 62 | Founded | 3 years ago | Last Issue | 4 months ago |
| Active | |||||
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Beloved Upon the Earth
The Latin words Ecce Homo mean, simply: behold the man. The words are taken from John 19:5, as Pilate offers the crowd the scourged Jesus. And the words have served as the prompt for many paintings. Rembrandt, Bosch, and — pictured above —...
Like a Poem, or a Cup of Water
Kimsooja: Meta-Painting, Kewenig Galerie, Berlin, Germany (2023)
The Korean artist Kimsooja often plays with light to create experiences that are by turns surprising, contemplative, and immersive. I have been sitting with this particular p...
The God Who Bleeds
The Isenheim Altarpiece, painted by Matthias Grünewald, uses historical conflation by setting John the Baptist on the right — having prophesied Jesus’ death well before it occurred (John 1:29) — alongside the chronologically accurate grievi...
My Own Lazarus: A Poem and its Story
Roger Wagner, “Abraham and the Angels” (2025)
Roger Wagner gives us his vision of the biblical story of Abraham’s visitation cast in a 21st world, complete with ecological threat looming in the background. In the foreground is Abraham with...
Christ at the Carnival, The Great River of the Church, and Flying Monks in a Left-Brained World
“Christ’s Entry into Brussels,” James Ensor (1889)
In James Ensor’s late–19th century painting Christ’s Entry into Brussels, we are dropped into a Carnival procession—loud, crowded, and almost suffocating with color. The word itself means,...
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Authors
The writers behind this newsletter.
Author of Terrible Beauty. Lead Pastor of Anchor Church (Tacoma).
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