Reletter
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cachet.

Keith Bain

culture matters.

Platform
Substack
PricingOnly free issuesPublishesTwice weekly
Issues54Foundeda year agoLast Issue16 days ago
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Latest Issues

Darkroom Contemporary’s latest dance production expresses techno-anxiety like nothing you’ve ever seen

Tamsyn Lucy Pretorius in Darkroom Contemporary’s e.ID: A Fugue. (Photo by Oscar O’Ryan)

It begins with wild wind, churned up by half-a-dozen mobile, industrial-strength fans that furiously blast air across the performance space, where the...

16 days ago
1

Prima Facie: Putting the legal system on trial

In Prima Facie, Danica De La Rey Jones plays a lawyer who relishes courtroom victory, likens the legal battle to a showdown. (Photo by Quaid Jones)

For a play so incredibly wordy, Prima Facie is ultimately not theatre you need to follow in...

19 days ago
3

Orpheus in the Underworld: Cape Town City Ballet’s outrageously funny spoof of a timeless myth

An unforgettable night in Hades: Zachary Healy as Pluto and Hannah Ward as Eurydice. (Photo by Brenda Veldtman)

If this is what the Underworld is like, you can sign me up!

Gloriously funny, sometimes sweet, often sassy, incredibly easy on...

3 months ago
1

‘Constellations’: The fragile calculus of human emotions

A wonderful pairing: Mark Elderkin and Mwenya Kabwe are dynamite in this multidimensional two-hander. (Photo by Daniel Rutland Manners)

Among the various descriptors used to market Nick Payne’s 2012 play, Constellations, which is showing a...

3 months ago
4

“Rocky Horror”: Don’t dream it, see it!

Commanding performance: Craig Urbani puts a unique spin on Frank-N-Furter, the satyromaniacal mad scientist from outer space. (Photo by Daniel Rutland Manners)

Craig Urbani’s bespoke Frank-N-Furter stilettos aren’t the only things that mak...

3 months ago

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