
An artist lighting her way through dark times by relearning forgotten art practices and natural ways.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 76 | Founded | 3 years ago | Last Issue | 3 months ago |
| Active | |||||

I’ve been deeply buried under a mountain of research for the revision of my book on art technology of the Islamic Golden Age, but alongside deciphering manuscripts I have continued the work on the piece that was the subject of Receiving Col...
Happy new year to all my readers! Thank you for being here, and a particular thanks to everyone who found this publication worth supporting with cash. I won’t pretend the year didn’t start ominously, but as ever we can only hope, and hold o...
Just a quick preface, for those interested in historical art materials: I’m currently crowdfunding for a revised edition of my long out-of-print Inks & Paints of the Middle East, and the campaign goes on till December 10. You can find it he...
I have not stopped thinking of layered colours since my last post, and it so happens to have coincided with the beginning of autumn. I find myself looking at trees differently, at the individuality of their colour-changing: truly, as the an...
Back in 2019, Japan House in London organised a lovely exhibition in collaboration with the Yoshioka Dyeing Workshop in Kyoto, which under the guidance of master dyer Yoshioka Sachio1 has been bringing back to life techniques of natural dye...
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The writers behind this newsletter.
Artist and author specialised in early Arabic calligraphy and in historical/natural materials. Beirut-London transplant. Contemplative. Earth lover, plastic-free, slow living.
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