Cinema and society
Essays exploring how film reveals politics, power, and the myths shaping modern society.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 33 | Founded | 9 months ago | Last Issue | 3 days ago |
| Active | |||||
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carlonfilm.substack.comLatest Issues
Short Cuts: Back to the Future -The American Dream of Becoming a Winner
Back to the Future is one of those films that seems almost impossible to dislike. A perfectly constructed adventure, a charming coming-of-age story, and a timeless Hollywood classic. But beneath the time-travel paradoxes and the jokes lies...
Short cuts: The Future of Love — AI Companions and the Decline of Human Connection
Birth rates are declining across much of the world. The reasons are complex, ranging from rising living costs and economic insecurity to changing social expectations. In a previous article, I explored these developments alongside the demogr...
Short Cuts: Donnie Darko — The Problem with Being Different
Released in 2001, Donnie Darko initially struggled to find an audience. Over time, DVD rentals, downloads and streaming helped it become a cult classic. Its mysterious plot has inspired countless theories about time travel, parallel univers...
Short Cuts: The Exorcist, Do You Want to Believe?
“Whoever battles monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”
Carl Jung offered a different but related observation:
“Everyone c...
Blade Runner. Living in the Megacity and the Loneliness of the Future
Since its release in 1982, Ridley Scott's science-fiction masterpiece Blade Runner has only continued to increase in relevance. The film predicted a dystopian vision of the distant future, Los Angeles in 2019, in which “Blade Runner” Deckar...
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Authors
The writers behind this newsletter.
Interested in film and how movies reflect, explain, and sometimes distort societal realities: politics, power, identity, and the stories we tell ourselves. Letterboxd: BIOCalle
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