
Essays exploring how film reveals politics, power, and the myths shaping modern society.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 20 | Founded | 5 months ago | Last Issue | 7 days ago |
| Active | |||||

Netflix is rumored to be interested in acquiring Letterboxd. At first, it might seem like a strange move. Why would one of the world's largest streaming companies want to own a social network for film enthusiasts? Because Letterboxd isn't j...
Every generation seems convinced that cinema is dying. Today, movie theaters struggle to compete with streaming services, studios cling to recognizable franchises, and the middle-budget movie has all but disappeared. It often feels as thoug...
Australian horror film Leviticus opens with a genuinely intriguing premise. Two young men fall in love, but after a ritual performed by a local church, they become haunted by the very person they love. It’s a fresh concept that immediately...
Steven Spielberg has spent much of his career thinking about aliens. From Close Encounters of the Third Kind to E.T., from War of the Worlds to Indiana Jones and the Kingdom of the Crystal Skull, the possibility of contact with extraterrest...
"Be careful what you wish for, because you might get it."
At first glance, that's the central idea behind the horror movie Obsession. Bear is hopelessly in love with his friend and colleague Nikki and convinced that she is the missing piec...
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The writers behind this newsletter.
Interested in film and how movies reflect, explain, and sometimes distort societal realities: politics, power, identity, and the stories we tell ourselves. Letterboxd: BIOCalle
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