The Losers of Film Noir
Carol Saint MartinYou know the drill. A private investigator with a past. A crook with no future. A femme fatale who wants to escape. And they all end up here. Welcome to The Losers of Film Noir.
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 39 | Founded | 3 years ago | Last Issue | a month ago |
| Active | |||||
Read this Newsletter
carolsaintmartin.substack.comLatest Issues
Chris Cross from SCARLET STREET (1945)
Image from wondersinthedark.wordpress.com
This could easily be about Kitty (Joan Bennett). Or Johnny (Dan Duryea). Or Kitty and Johnny. But it’s not. This is about Chris Cross (Edward G. Robinson), film noir’s saddest character.
Written b...
'Ma' Jarrett from WHITE HEAT (1949)
Image from heartofnoir.com
Obsession is the downfall of many noir characters. Some are obsessed with money. Others are obsessed with a woman. Others are obsessed with money and a woman – pretty, isn’t it? And then there’s White Heat’s Cody...
Johnny Farrell from GILDA (1946)
Image from glamamor.com
Gilda was my first love. It was the film that got me into classic cinema nearly twenty years ago when I was only a teenager. I feel in love with black and white right then and there and, of course, with Rita Haywort...
O'Brien and Genaro from T-MEN (1947)
Image from The Old Hollywood Garden
If there’s one thing 1940s noir loved, it was semi-documentary police procedurals. And Charles McGraw, who, more often than not, scared me half to death. In T-Men (1947, dir. Anthony Mann), you’ll find b...
Cora Smith from THE POSTMAN ALWAYS RINGS TWICE (1946)
Image from Classiq
Though Lana Turner was only nominated for the Best Actress Oscar once, for Peyton Place (1957), and while I would argue that the 50s was her best period, Cora Smith is, indeed, her signature role. She agreed and so did J...
Audience Metrics
Subscribers, engagement, traffic and sponsorship for The Losers of Film Noir.
| Subscribers | Engagement | 68 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
Explore More
Authors
The writers behind this newsletter.
Screenwriter, playwright and film blogger.
Frequently Asked Questions
How can I access the email archive for The Losers of Film Noir?
You can find recent issues that have been published by The Losers of Film Noir on Reletter by scrolling up to where it says Latest Issues. Tap on the link for any of the most recent emails or hit More Issues to see older ones.
How many subscribers does The Losers of Film Noir have?
To see how many people subscribe to The Losers of Film Noir, simply upgrade your Reletter account. We provide readership numbers and lots of other stats for this newsletter so you can decide if it's worth reaching out to.
How can I advertise in The Losers of Film Noir?
Newsletter advertising can be extremely effective when it's done right. Before you pitch The Losers of Film Noir as a potential sponsor or partner, make sure that you've done your research and checked its newsletter stats with Reletter.
Then, personalize one of our winning pitching templates and send it to the right person using the contact info provided.
How much does it cost to sponsor a publication like The Losers of Film Noir?
Newsletter ad rates (or CPM) vary depending on many factors, including industry, number of subscribers, open rate, ad placement and more.
To find out how much an ad will cost, contact The Losers of Film Noir using the contact information provided and ask for a copy of their media kit.
How can I find newsletters related to The Losers of Film Noir?
Scroll up to where it says Related Newsletters to see other publications like The Losers of Film Noir. You can also search our email newsletter directory to discover other newsletters that cover the topics you're interested in.
How do I contact The Losers of Film Noir?
Reletter provides this newsletter's website URL above, where you will often find their contact information. We also provide links to associated social media accounts and pitching templates so you can reach out fast.