
Notes from the studio
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 16 | Founded | 2 years ago | Last Issue | 9 months ago |
| Active | |||||

Someone asked me what I’m most looking forward to about my book dropping and I realized that I am VERY excited to talk to people about Soutine’s paintings! And then it occurred to me that a far better mechanism for such conversation is… ins...
A lot of the axioms about painting and drawing that function as the tectonic plates upon which I’ve stacked whatever conscious thoughts and skills I’ve cultivated over the last <~3 decades were absorbed from my uncle, an architect and an ex...
There is a sparse chapel on the second floor of the Philadelphia Museum of Art. Six rows of small wooden chairs face a work of sublimity: a diptych by Rogier van der Weyden. “The Crucifixion, with the Virgin and Saint John the Evangelist Mo...
“What did you mean when you said you’ve never actually painted a painting?”
When I had admitted this failing to this friend of mine some weeks earlier I had known at the time that saying the sentence out loud was a sort of transgression. I...
Egon Schiele’s sex is strict. Not free, luscious, dripping. Taut. Sharp. He has strong clean lines, rigorous arrangements, and, usually though not always, sparse structure and color.
Schiele’s colors are sumptuous even when they are thinly...
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The writers behind this newsletter.
Executive editor Liberties Journal
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