Channeldraw
Gianluca CostantiniVisual journalism, drawing, and field-based narratives across media, public space, and political contexts.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 53 | Founded | 3 years ago | Last Issue | 6 days ago |
| Active | |||||
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channeldraw.substack.comLatest Issues
26,565 Comments, 34 Hours of Hate
This page is available in English (UK), Italian
A video presents, in their entirety, the reactions to the drawing “Help, Enough.”, published on Facebook following the death of Abderrahim Fakir. The first two hours are now available online....
Ten Years Later: When a Drawing Became “Terrorism”
This page is available in English (UK), Italian, Turkish
In July 2016, the Turkish government included my name in a court order demanding the blocking of dozens of Twitter accounts, websites, and online content, accusing them of “promoting...
My Twitter, My Memory
This page is available in English (UK), Italian, German
Reading Ali Hashem‘s beautiful article in Al Jazeera about the twentieth anniversary of Twitter, I found myself in so many of his words. What struck me wasn’t only what he wrote about...
Drawing Against Oblivion
Tvind International School Centre in Ulfborg, Denmark
In recent years, continuing my work of storytelling, bearing witness, and defending human rights through drawing has become increasingly difficult. Drawing, which has always been for me...
Football as a Human Narrative: Drawing the Game Beyond the Game
From headbutts to the ‘Hand of God’: 11 moments that shook the World Cup, CNN, Link
In my work, football is never just sport. It is a global language, a cultural and visual device that allows me to tell the world through its contradictions...
Audience Metrics
Subscribers, engagement, traffic and sponsorship for Channeldraw.
| Subscribers | Engagement | 69 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Visual journalism, drawing, and field-based narratives across media, public space, and political contexts
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