Channeldraw
Gianluca CostantiniVisual journalism, drawing, and field-based narratives across media, public space, and political contexts.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 59 | Founded | 4 years ago | Last Issue | 4 days ago |
| Active | |||||
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channeldraw.substack.comLatest Issues
The Architecture of Dissent: What Happens to a Drawing After It Is Published?
We live surrounded by images. Every day, photographs, videos, and illustrations document wars, protests, arrests, and violations of human rights. They circulate rapidly, attract attention, and are soon replaced by new images and new emergen...
ChannelDraw Weekly: Love, Freedom and the Right to Speak
This week begins with a comic and ends with a warning.
In the September issue of linus, a new visual story pays tribute to Marjane Satrapi and to the freedom embodied by her work. Elsewhere, journalists are arrested before they can speak,...
ChannelDraw Weekly: When Drawings Become Testimony
This week, drawings moved from screens into public space, became protest signs, returned from the archive and continued telling stories that risk being forgotten.
Here are some of the stories from ChannelDraw.
The Faces of ICE’s Victi...
The Faces of ICE’s Victims Enter the United States Senate
On August 5, something happened to my drawings that I believe is worth telling.
During an Abolish ICE action organized by Women’s March in Washington, protesters carried my portraits of people who died in ICE custody or during ICE operatio...
Yalda Moaiery: 15 Years in Prison for Taking Photographs
Iranian photojournalist Yalda Moaiery has been sentenced to 15 years in prison.
For more than two decades, her camera has documented protests, wars, repression and the resistance of Iranian women.
In 2022, she was arrested while photograp...
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| Subscribers | Engagement | 69 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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The writers behind this newsletter.
Visual journalism, drawing, and field-based narratives across media, public space, and political contexts
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