
本來在台灣寫小說,現在到德州讀博班,決定以BL作為方法。
| Platform | Pricing | Freemium | Publishes | Weekly | |
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雨雪天、接近冰點的溫哥華(2026)
這集沒有打草稿。這幾本書我之前零零散散都讀過一點,記憶研究不算歷史研究,但好像也不是完全客觀的文學文本或媒體研究。
Hirsch的《Family Frames》,我知道這個學者,完全是因為她提出了「後記憶」(postmemory)這個概念。
定義是這樣的:後記憶跟記憶的區別,在於世代的距離。你自己經歷過的事,你會說「我有那個記憶」。但後記憶不同,你本人並沒有經歷過,但你有很深刻的個人連結,像是你爸爸告訴你的...
當無聊到了長篇小說的級別
我在台灣的時候算不上一個愛逛街的人,每年年初都會訂目標:今年不買外套,今年不買毛衣,然後嚴格執行。但是有Muji跟沒有Muji是兩回事。你可以不進去,但你要知道那個門在那裡。到了奧斯汀以後我才發現,整個德州根本就沒有Muji,Unisex說整個西岸在疫情之後也幾乎全數撤退。
德州、大阪、留學現場第一線
黃繭是認識了好多年的寫作者好友,她像是個永遠滿電的電池,手邊有做不完的工作。最近她剛從日本進修畢業。我們錄音那天,我這邊是德州週二晚上十點,她那邊是大阪週三中午。跨日錄音,她說她覺得很酷,但我覺得這是留學日常,時間和別人常常對不上。
2026 AAS研討會論文:Intimate Worlds, Invisible Wars: Feeling and Control in the BL Crackdown
本來是想說,用NotebookLM發表就好了。它可以生成兩個Podcast主持人,兩個人對話,完全可以把我想說的東西講出來,而且音檔按一下鈕就結束了,非常省事。
Listen now | 🎙️ 原為末日蘑菇Podcast:Ep.18 追夢之路:從申請博班到放榜開箱(2024)
✉️ 2026 check in
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The writers behind this newsletter.
寫小說、散文、採訪,但學術論文苦手。 出版作品| 2022 《我有結婚病》 2020《我媽的寶就是我》 2018 《新手作家求生指南》 2018 《跨界通訊》 2015 《準台北人》 2014 《少女忽必烈》 ⠀⠀⠀ ❤️更多內容❤️ linktr.ee/eugenechen.writer
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