Chris’ Miscellaneous Cinematic Insight
ChrisVarious Cinematic Insight
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 6 | Founded | 5 years ago | Last Issue | 3 years ago |
| Active | |||||
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Kinski, Herzog, and Their Colonial Protagonists
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Author’s Note: Due to the release of Herzog’s new autobiography, “Every Man For Himself and God Against All” I felt inspired to publish a paper that I wrote a few years back for my German Cinema class. Enjoy!
The cre...
A Copy of a Copy of a Copy
I’m tired man. I grew up being enamored by the wonders of cinema, the celluloid frontiers that the Hollywood masters were able to cross just by sheer willpower and a well-framed shot. But so far, this year feels very desolate when consideri...
Albert Brooks' Lost in America and the Death of the Counter-Cultural Road Film
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Julie Hagerty and Albert Brooks in Lost in America (Brooks, 1985)
Other than the western, the only other genre that feels distinctly “American” in structure would have to be the road film. This makes sense in many ways, considering...
Cinematic Context
In 1928 Buster Keaton released his first film for Metro-Goldwyn-Mayer, The Cameraman. If next to nothing is known about The Cameraman before watching the film then the importance of this film in Keaton’s filmography may be lost on many view...
A Plea for More Classic Films on Streaming Services (An Ode to Tubi)
John Ford’s Stagecoach (1939)
As I am writing this article, nearly every major film studio has its own respective streaming service. Paramount has Paramount+, Warner Brothers has HBO Max, Fox/Disney has Hulu and Disney+, and Universal has...
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Academically published Danny Trejo expert™
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