cinema by izzy
isabel \ud83d\udc92cinema, criticism & curated recommendations
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 33 | Founded | 3 years ago | Last Issue | 34 hours ago |
| Active | |||||
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cinemabyizzy.substack.comLatest Issues
I Love Boosters (2026) and the Beauty of Excess
There is something inherently rebellious about wanting something you have been told you can not have. In I Love Boosters (2026), Boots Riley turns this impulse into a riotous, sexy assault on capitalism, consumerism and the fashion industry...
Making Marie Antoinette (2026): A Love Letter from Mother to Daughter
There is perhaps no better way to understand a filmmaker then to watch her at work, and no one better placed to do so then her own mother. Making Marie Antoinette (2026), directed by the late Eleanor Coppola, follows her daughter Sofia as s...
I Want Your Sex (2026) and the Art of Trying Too Hard
Magnolia Pictures
New Queer Cinema pioneer Gregg Araki returns to the big screen for the first time in 12 years, armed with a star-studded cast and a mission to break through the prudish attitudes towards sex and desire that he believes ha...
What Finding Emily (2026) Taught Me About Manchester
There’s something quite satisfying about seeing a place you know on screen.
There’s something quite satisfying about seeing a place you know so well on screen. That was exactly how I felt watching Finding Emily (2026).
Audrey Hepburn Was Never Just Breakfast at Tiffany’s
There is a version of Audrey Hepburn that exists almost entirely online now.
There is a version of Audrey Hepburn that exists almost entirely online now. Not Audrey Hepburn the Oscar-winning actress, but Audrey Hepburn the aesthetic: grain...
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Authors
The writers behind this newsletter.
Isabel Kershaw is a student journalist, studying at the University of Sheffield.
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