cinema by izzy
isabel 💒cinema, criticism & curated recommendations
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 35 | Founded | 3 years ago | Last Issue | 17 days ago |
| Active | |||||
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cinemabyizzy.substack.comLatest Issues
The Birth of Bad News: Ink (2026)
Before outrage became currency and headlines became weapons, there was The Sun. Based on James Graham’s acclaimed play, Danny Boyle’s Ink (2026) is a political parable about how the British press got here, tracing the relaunch of one of the...
Possible Love (2026) and the Complicated Business of Loving
Good intentions can be their own kind of cruelty. In Possible Love (2026), Lee Chang-dong turns his attention to the uneasy relationship between wealth and empathy, exploring the damage inflicted not through outright malice, but through the...
I Love Boosters (2026) and the Beauty of Excess
There is something inherently rebellious about wanting something you have been told you can not have. In I Love Boosters (2026), Boots Riley turns this impulse into a riotous, sexy assault on capitalism, consumerism and the fashion industry...
Making Marie Antoinette (2026): A Love Letter from Mother to Daughter
There is perhaps no better way to understand a filmmaker then to watch her at work, and no one better placed to do so then her own mother. Making Marie Antoinette (2026), directed by the late Eleanor Coppola, follows her daughter Sofia as s...
I Want Your Sex (2026) and the Art of Trying Too Hard
Magnolia Pictures
New Queer Cinema pioneer Gregg Araki returns to the big screen for the first time in 12 years, armed with a star-studded cast and a mission to break through the prudish attitudes towards sex and desire that he believes ha...
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Student Journalist at University of Sheffield 💌 [email protected]
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