
Life of a small studio potter; all things clay, some gardening, and... postcards.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 53 | Subscribers | Read | sarasantaclara.substack.com |
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This post is the first of two; I wrote it as one single post but it got to over 2000 words with a lot of pictures, so I decided to cut it in half, which actually works better because, well, there are two parts to this “story”. Let’s get to ...
“I have learnt that all we need is to trust our own creative instincts and that all work is valid if it has come from a place of love, vision or passion.”
Sorry this post is late — I was busy living imaginary lives… No, it’s not Tuesday; yes, it’s two days later… I debated wether or not to send this out at all this week anymore, but then… well, here we are.
It feels odd to be writing this after Sunday’s beautiful post by with a text written by me, as part of her series Because Creativity, to which we got such a warm response. It now feels like a soft cushion I can lean on to ease the pain of ...
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The writers behind this newsletter.
I make pots and write about it. I'm a cat person who now has a dog. Mostly, I'm a human trying to live a good life in these complicated times.
I’m a Potter working on the beautiful island of Saint Lucia. I specialise in unique, bespoke pieces and Ball of Clay Experiences. Get your own Ball of Clay Experience here: https://bit.ly/3jRzEAx
Photographer, Potter, Gardener and Writer. The Post House Chronicles is simply a record of the life I lead and a means to connect with others.
Alford Wayman is artist/owner of Creek Road Pottery LLC. Creating handmade pottery that matters for people who care with empthy, generosity, and gratitude.
Ceramic artist based in Berlin. I write about ceramics, their role in history and culture.
A hobby potter.
A lover of clay, discovered late in life, and I'll share the experimentation and constant learning this entails while I find my way with this material.
I’m an artist tracing the fingerprints of history through clay. Through experiments, failures, and insights, I explore how hands-on creativity can deepen our understanding of human innovation, ritual, and survival.
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