
Long-form essays about how technology, law, and economics affect the music industry.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 23 | Founded | 7 years ago | Last Issue | 3 years ago |
| Active | |||||

Over the last few months, the Internet has filled up with visual artwork generated by AI models like Stable Diffusion. These models are typically trained on large collections of images crawled from the Internet—without asking for permission...
The blockchain community started with the promise of decentralizing finance. But nowadays, the headlines are dominated by the larger vision to decentralize art.
It is a vision worthy of building. But so far, web3’s efforts to monetize artw...
In 2021, we saw the rise of NFTs—putting merchandise and music royalties on the blockchain. But many of those NFTs were sold or auctioned by traditional corporations like Monstercat or Royalty Exchange. These NFTs were on the blockchain, bu...
Artificial intelligence is about to change music production. Recently, I wrote about the history of AI for music generation. Not only can AI potentially create new songs from scratch—it can also help decompose existing sound recordings for...
Years ago, I worked for the US Department of Energy, looking for security vulnerabilities in the Bitcoin protocol that could be exploited with a quantum computer.
I wasn’t very successful. While I did end up with a deep respect for the sec...
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The writers behind this newsletter.
CEO at @soundryx. Soundryx is a network of microphones that alert you when enemy drones approach your territory. https://soundryx.com
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