Colnaghi Foundation's Newsletter
Colnaghi FoundationA research-led Substack connected to the work of The Colnaghi Foundation, exploring art history through archives, objects, and scholarship, with a particular focus on pre-twentieth-century art and the histories of collecting.
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
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| Issues | 6 | Founded | 8 months ago | Last Issue | 3 days ago |
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colnaghifoundation.substack.comLatest Issues
A Supplement to Richard Parkes Bonington, the Complete Paintings
Of the ninety-five oil paintings I initially catalogued in 2008, seventy-two were of French and Italian landscape subjects. Figural illustrations to Shakespeare, Scott, Goethe, Cervantes, French historical texts, and contemporary Keepsake p...
Collecting and Constructing National Identity in Print: Translations of Empire from the Black Sea to the Adriatic
A place of paradise; a place of persecution—the identity of Venice has long been shaped within the eye of the beholder. By the end of the fifteenth century, the Lagoon City stood at the centre of an expanding and increasingly interconnected...
Images of nature in a global horticultural expansion: Britain’s economic botany and Chinese botanical watercolours in the eighteenth and nineteenth centuries
The centuries-long fascination with the mysteries of China, together with the exploratory botanical ventures undertaken by European colonial powers in the eighteenth century, created a growing market in Britain for painted illustrations of...
Harbours of power: maritime identity and colonial ambition in eighteenth-century French prints
This article examines two major eighteenth-century French print series—Vues des ports de France and Nouvelles vues perspectives des ports de France—as visual instruments of national and colonial self-fashioning. Commissioned under Louis XV...
An unfinished relief by Donatello in the Fitzwilliam Museum, Cambridge
For the first time, AMS identified a small, unfinished marble relief of the Lamentation, in storage in the Fitzwilliam Museum, Cambridge since 1926, and previously assigned to Domenico Gagini on the basis of its provenance, as an autograph...
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The Colnaghi Foundation is a UK charity that supports research, publication, and informed public engagement with pre-twentieth-century art, working with scholars, institutions, and archives to deepen understanding of earlier art and its histories.
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