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colorfrankchinese

colorfrank

Music & Sociology

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Substack
PricingOnly free issuesPublishesDaily
Issues46Founded2 years agoLast Issue17 days ago
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Language
ZH-CN

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Latest Issues

上岸了,然后呢?|Charli XCX从消费者到生产者的视角升维

不知道从什么时候开始,人生变成了上岸的游戏。《教父》的Corleone家族代际托举的上岸故事放到当下仍有回响,普通家庭的孩子更是需要找到一个落脚的地方给毕业后的人生找到物质基础,在海外漂泊的人也在苦苦等待身份的“转正”。但任何一个新的里程碑,也意味着有一座新的大山需要翻越。

对于音乐创作者而言,这个打怪升级的上岸游戏,其实也是层出不穷。找到人脉愿意带你入圈是一次上岸,找到合适的音乐合作者创作出作品也是。签约,发行,打榜,第一次登上电台,第一次拿到乐评高分,第一次来到颁奖礼,...

17 days ago

以子之矛,攻子之盾|从Madonna到Lana Del Rey的音乐行业生存学

先恭喜Lana新专辑终于有了新进展。这篇《Ultraviolence》分析其实原本计划接在2024年6月《人为什么会依恋有毒的亲密关系》之后发表,却一直被我搁置。当时我一直没有想清楚,究竟应该把《Ultraviolence》理解为一部关于主人公的作品,还是理解为Lana在音乐工业中的自我表达。作品中的女性主体,与现实中的女性音乐人,既彼此映照,又不能简单等同。正是这两个层面的混淆,让我迟迟没有写下这篇文章。几年过去,这些问题终于在我这里有了新的答案,因此也借着新专辑公布的契机...

24 days ago

以文艺为名捧杀天才少女的性剥削

《Melodrama》拖更了两年半。随着Jack Antonoff和Margaret Qualley关系走向终结,有关Lena Dunham、Lorde和Jack之间的往事的猜测也重新浮出水面。我一直没写这张专辑的原因是,我一早就确定了标题这个主题,但我不知道什么样的时机和形式适合,所以对《Melodrama》的分析拖到现在。

对于三人的往事的时间线参考小红书用户“绝情猪脚饭”的三篇笔记(“传闻中洛奶和杰克懦夫30页ppt”,分(1)、(2)、(3))。这里面的内容不一定准...

a month ago
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话语权争夺|黑人女性领袖碧昂斯为什么进村了

2024年2月11日,碧昂斯发行两首乡村单曲《Texas Hold ’Em》和《16 Carriages》,并宣布于3月29日发行新专辑《Renaissance Act II》。没过几天,媒体报道有听众在乡村电台点播碧昂斯最新的乡村单曲,被电台拒播。对方邮件回复:我们可是一个乡村音乐电台。言下之意就是,我们拒绝将碧昂斯接纳为乡村艺人,我们不播。

这几天媒体都在报道这件事,并且在预测碧昂斯的新歌是否能在乡村界取得反响,尽管她的强大人气基础能够保证她的新歌有相当程度的商业成果。...

2 years ago
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情人节特辑|《evermore》中的情感余烬与自我救赎

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是我的前任,也是我刻骨铭心爱过的一个人。在一起的时候我从来不说自己“爱”对方,因为我觉得“爱”这个字分量太重,...

2 years ago
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    Music in sociological perspective.

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