
Music & Sociology
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 43 | Founded | 2 years ago | Last Issue | 2 years ago |
| Active | Language | ||||

2024年2月11日,碧昂斯发行两首乡村单曲《Texas Hold ’Em》和《16 Carriages》,并宣布于3月29日发行新专辑《Renaissance Act II》。没过几天,媒体报道有听众在乡村电台点播碧昂斯最新的乡村单曲,被电台拒播。对方邮件回复:我们可是一个乡村音乐电台。言下之意就是,我们拒绝将碧昂斯接纳为乡村艺人,我们不播。
这几天媒体都在报道这件事,并且在预测碧昂斯的新歌是否能在乡村界取得反响,尽管她的强大人气基础能够保证她的新歌有相当程度的商业成果。...
去年2月13日晚上,我在香港。我和一群人去香港办正事,在当地遇见心动的人,于是晚上跟对方一起漫步于香港的夜晚。我去看了在我书单里躺了许久的“香港重庆大厦”的实地情况,了解了香港本地青年的日常处境,感觉自己和他们差别好大。聊着聊着,我觉得很没劲。时间过得飞快。回到酒店,在香港那个超级小的酒店房间里,我从手机的通讯录中找到了一个人的电话号码,给对方发了微信的好友申请。
是我的前任,也是我刻骨铭心爱过的一个人。在一起的时候我从来不说自己“爱”对方,因为我觉得“爱”这个字分量太重,...
注:以下这篇文章可能带上了霉粉视角,但并未推翻先前的任何说法,如果你对这次获奖感到不满可以直接划到底部去看我往期的文章。
当我听到 Celine Dion 念出《Midnights》、《Karma》响起的时候,我的心情很激动,也很复杂。脑子里浮现了很多话,尤其是“首日成绩出来后真的不在乎这种叫衰的乐评了”、“拿奖在手笑看疯狗”、“就喜欢看你发疯破防的样子”,这些都比较文明。还有各种标签,包括但不限于“厌nv”、“diao癌”、“亚bi”、“只有指南才会写出这样的文章吧”、“...
我忆起的是人生曾带给我的幻想,我对人生真的一无所知
It's life's illusions I recall. I really don't know life at all.
昨晚聊音乐聊到很晚,早上一醒来便是格莱美开始直播的时间。今年的舞台挺小的,大家坐得都很紧凑。不紧凑的是颁奖礼的时间安排,插入广告的时间几度让我失去耐心。不过我很开心我观看了这次颁奖礼,因为这届颁奖礼有许多精彩与动人的瞬间。我事先没有关注会有哪些人表演和颁奖,所以全都是当下知道、当下感受。...
明早9点就是第66届格莱美奖的颁奖典礼了。这篇文章我将简评提名年度专辑的8张专辑。我看到提名名单的第一反应是“这很难评”,只能矮子里拔将军。我不做得奖预测,因为我没一张觉得适合拿奖的,虽然有些歌手如果拿了我会开心。这篇文章只做这位歌手生涯的纵向比较以及如果拿奖之后,将会是什么剧本、代表什么样的文化意义,又是如何代表格莱美习性的。分析顺序与获奖概率无关,只是按照官网提名名单的顺序而已。
Jon Batist...
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The writers behind this newsletter.
Music in sociological perspective.
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