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Cortometrajes.com

Pedro Martin Diaz, Raquel Manto

Un espacio para descubrir, aprender y conectar con el mundo del corto \ud83d\udcfd️. Historias, técnicas, nuevas tecnologías e inspiración para creadores y amantes del cortometraje \ud83c\udfac

Platform
Substack
PricingOnly free issuesPublishesTwice weekly
Issues43SubscribersRead cortometrajes.substack.com

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Latest Issues

Recent posts by this newsletter. Browse the email archive.

La Cortelería: LUMINARIS

“La Cortelería” dedica su foco esta vez a Luminaris, el cortometraje argentino que ostentó el Guinness World Record por ser el cortometraje más premiado del mundo, con 324 premios alrededor del globo. Voy a desglosar su historia, su técnica...

2 months ago
1
0

Bombillas que tiemblan: la verdad de la luz en los cortos

En el cine breve la luz es un animal salvaje. No hay presupuestos para domesticarla ni tiempo para convencerla. A veces es el sol que se cuela por una ventana rota, otras la lámpara prestada de la casa de la abuela, otras la linterna de un ...

3 months ago
2
2

La Cortelería: A Night at the Garden

Continuando con La Cortelería, esta semana destacamos “A Night at the Garden” El archivo visual de una vergüenza que no caduca.

3 months ago
1
0

Lo que los grandes directores dijeron sobre el cortometraje

El cortometraje ha sido, para muchos cineastas, un primer refugio, un campo de entrenamiento o una forma de regresar a la esencia del cine. No es un género menor ni un simple paso previo, sino un territorio con leyes propias. Lo dicen los g...

3 months ago
4
0

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Authors

The writers behind this newsletter.

  • Pedro Martin Diaz

    Busco transformar ideas en proyectos y elevar el potencial de la creación en internet. Me apasiona la intersección entre creatividad, tecnología y negocio. Hablo sobre innovación, audiovisual, herramientas digitales y emprendimiento.

  • Raquel Manto

    Apasionada de los cortometrajes y del poder de contar grandes historias en pocos minutos. Aquí exploro el cine breve: análisis, recomendaciones y el proceso creativo detrás de cada plano.

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