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Cinemasparagus by Craig Keller (evillights)

Craig Keller

Cinemasparagus is a standing-order for my writing on movies, miscellany, books, music...

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Substack
PricingOnly free issuesPublishesDaily
Issues152Foundeda year agoLast Issue7 days ago
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Latest Issues

Jean-Luc Godard: 2: Une femme coquette

“To What Kind of Act Was I the Spectator?”

In 1955 Godard went back sixty years to adapt Maupassant’s story “Le signe” [“The Signal”]. All of the basic narrative remains; none of it had dated. This first Godard fiction, 9’ish minutes long,...

7 days ago
2

João César Monteiro: 2: He Who Awaits Dead Men’s Shoes Dies Barefoot: A Cinematographic Proverb

Can You Hear Me Anymore?

Quem espera por sapatos de defunto morre descalço, um provérbio cinematográfico, Monteiro #2, begins with the remnants of an early Nouvelle Vague-style film, an unfinished 16mm project in rushes, in which everythin...

8 days ago
8

Ingmar Bergman: 16: The Face

The following was originally posted at the old place on April 20th, 2021, revised from a piece posted on December 30th, 2010.

On Bergman’s First Summary-Masterpiece

In the opening scene, a troupe of wandering charlatans emerges, primordia...

12 days ago

Ingmar Bergman: 15: On the Brink of Life

The following was originally posted at the old place on April 19th, 2021.

Bundles

Ingmar Bergman, in a 1964 Playboy interview excerpted in Criterion’s Ingmar Bergman’s Cinema book: “Women used to interest me as subjects because they were...

13 days ago
2

Ingmar Bergman: 14: The Wild Strawberry Patch

The following was originally posted at the old place on March 28th, 2021.

Sleep, Perchance to Wake

Smultronstället [The Wild Strawberry Patch, known outside of Sweden as Wild Strawberries, 1957] begins with the great Victor Sjöström (dire...

15 days ago
1

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