Cross Dissolve
Tyler SimeoneA blog about film and sharing myself.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 19 | Founded | 2 years ago | Last Issue | 2 months ago |
| Active | |||||
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crossdissolve.substack.comLatest Issues
Void and representation as nesting dolls: 'Benny's Video' (1992)
Benny’s Video (1992), dir. Michael Haneke, Austria/Switzerland
After Benny kills the girl he meets at the video store, he goes through her bag and finds nesting dolls. He opens them, tossing each one aside until he reaches the center, whic...
New worlds in moving stillness: 'Zabriskie Point' (1970)
Zabriskie Point (1970), dir. Michelangelo Antonioni, United States
How does an explosion burst before actually bursting, as the explosions at the end of Zabriskie Point do? More broadly, how does a movement set itself into motion before th...
Computer chip in love: 'Tarnation' (2003)
Tarnation (2003), dir. Jonathan Caouette, United States
A computer chip falls in love for the first time. When he sees the object of his love, a boy with long brown hair and a gentle club nose, a red indicator light starts to blink in stea...
Thousands of faces and gestures: 'Dawson City: Frozen Time' (2016)
Dawson City: Frozen Time (2016), dir. Bill Morrison, United States
On the dirt road in the middle of town, thrown up in the dust of the carts hauling sacks of powdered gold and salmon bellies, airing toothless panners’ sweat and oily overa...
The flashing jewel: 'A Moment of Innocence' (1996)
A Moment of Innocence (Nūn va Goldūn) (1996), dir. Mohsen Makhmalbaf, Iran
The Color of Pomegranates (1969) planted in me a desire for illuminated, puppet show images: Parajanov caught lace passing in front of a regal face in white makeup,...
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