The Dance Lens with Cynthia Dragoni
The Dance LensWHERE DANCE MEETS ART, FASHION, HISTORY, POLITICS & SOCIAL (RE)EVOLUTIONS
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 82 | Founded | 2 years ago | Last Issue | 4 days ago |
| Active | |||||
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The Company She Built, The Tradition She Carries
Dear Reader,
We tend to think of ballet as an art form whose history belongs to another era. And yet many of the artists—the masters—who shaped the ballet we recognize today were working within living memory, and some of their direct artis...
A Black Angel in Whiteface
At Finnish National Ballet, under artistic director Javier Torres, Nayara Lopes was painted white to play Cupid.
It was February. Lopes, now a principal dancer with Philadelphia Ballet, had joined the Finnish company as a first solois...
A Hard Road, Not a Strange One: Building Ballet in East Africa
Students at Ballet Dance Studio UG in class with their director and teacher Dennis David Kazibwe
Dear Reader,
Dance is already a tough business, and its challenges are compounded when operating in an area without an established com...
The Business of Ballet Is Not What You Think
INTERVIEW:
What do advocacy, construction and the GDP have to do with the future of ballet? According to Morgan McEwen—Artistic Director and founder of MorDance—plenty.
McEwen spent nearly two decades as a professional ballerina at...
Lucinda Childs and the Making of Another Look
Dear Reader,
You may have heard that post-modern icon Lucinda Childs is creating a new evening length work on Gibney Company using a Philip Glass score that has never before been choreographed to by a major company. Another Look premieres...
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| Subscribers | Engagement | 73 | Monthly Web Visits | ||
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Where dance meets art, history, politics, fashion, and social (r)evolutions.
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