
Writer of weird fiction, science fiction and folk horror, always looking for the transcendent and uncanny just below the surface of the apparently banal. Freelance creative director, ex-founder and head of The Chinese Room.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 15 | Founded | a year ago | Last Issue | 9 months ago |
| Active | |||||

In the shipped title, it’s a short walk across the deck from Finlay’s death and Caz deciding to kill the horror to the end sequence (which was always there as a sort of 2001: Jupiter and Beyond the Infinite homage/rip-off/bit of both...
At this point, we need to make a slight detour into design, as it’s a really good example of how intertwined story and mechanics actually are, or should be.
Back in 2013 we made a game called Amnesia: A Machine for Pigs. It’s a dece...
I’ve been pretty open about the fact that quite a bit of Deep got changed after I left TCR. A fair few scenes were toned down, particularly the black comedy. Finlay in particular had her mouth ‘washed out with soap’ (as my mum would put it)...
Around the time we were boiling Prism down into Little Orpheus, we were also working on a very different game: a weird, funny, surreal isometric RPG-lite with some prototype funding from UK Games Fund.
The 13th Interior started life as To...
As something of a palette cleanser after all that space stuff, how about some potty mouthed Glaswegian roughnecks chewing the fat?
This is the original canteen scene for SWTD - it was written after the voice recording sessions but before I...
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The writers behind this newsletter.
Writer of weird fiction, science fiction and folk horror always looking for the transcendent and uncanny just below the surface of the apparently banal. Freelance creative director, ex-founder and head of The Chinese Room.
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