
I write to remember; I dance to forget.
| Platform | Pricing | Only free issues | Publishes | Monthly | |
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| Issues | 88 | Founded | 5 years ago | Last Issue | 2 years ago |
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It was that twilight zone of the year: between winter and spring, dormant and emergent, death and revival, sleeping and waking up.
Around this season eight years ago, I stuffed my jeans into that top shelf in my almirah. They're still whe...
One of the things Odissi has given me is a curiosity about hair. Mainly because it has changed the way I have been culturally conditioned to view it.
Let’s start with the irony: My attitude towards my hair is that of a person born into ex...
“It was our hands that were supposed to be full, of the future, which could be held, but not seen.” — (The Handmaid’s Tale, Margaret Atwood)
Lovers are my favourite people to watch. And by that I do not mean private moments of people in co...
(This is the second in a new series I’m writing about my body, in continuation with the essay on breasts that I wrote for Immortal For a Moment by Natasha Badhwar. I realise that as a dancer I have a hyper-awareness of my body, gifted to me...
After many years of Covid shutdowns, I have really enjoyed this winter, the return to cultural events. I have stolen time from life, to do what was once so banal for me: sneak into an auditorium and watch performances. As is the custom with...
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The writers behind this newsletter.
"I write to remember, I dance to forget." Swaati Chattopadhyay is a writer and Odissi dancer in the style of Guru Surendra Nath Jena. She writes about her experiences of art and life, in her substack journal, Dance Meets Life.
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