
CBCM is a space for learning to see, think and write about film more deeply. Through essays, conversations and video lectures, I draw on film studies and cultural criticism to explore how cinema works on the screen, on our senses, and the wider world.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 353 | Founded | 3 years ago | Last Issue | 2 days ago |
| Active | |||||

Some thoughts on the concept of cinematic belonging and resources for Session 5 of Becoming a Better Film Critic: Writing the Self through Film.
Welcome friends.
For this latest Cinema Body/Cinema Mind conversation, I was joined by the brilliant Marta Djordjevic, who took time out from preparing for the Vancouver International Film Festival to talk to me.
Welcome friends.
The latest iteration of Robin Hood folklore on film is less a reimagining and more a deconstruction of mythology, heroism and the cinematic canvas of violence itself.
I counted about ten walkouts from the preview screening of The Death of...
This is a response to a piece by Ed William, which I posted on his original article. I wanted to share it here to have the texts in the archive of Becoming a Better Film Critic: Ideology v Aesthetics.
It’s always flattering when someone as...
Film criticism today is a multilectic phenomenon and my latest guest on Cinema Body/Cinema Mind, That Girl Daria is a quintessential example of that.
Welcome friends,
Subscribers, engagement, traffic and sponsorship for Cinema Body/Cinema Mind.
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How this newsletter ranks in the official Substack charts.
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The writers behind this newsletter.
Words, written and spoken, on film, culture, art, education, with a philosophical inflection.
Writing & podcasting about international, cult, and overlooked cinema, often through the lens of boutique physical media. Let’s rewind and revive.
Cinema-maker. Former Co-Executive Director of Filmmakers Alliance.
yapper & cinephile
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