
CBCM is a space for learning to see, think and write about film more deeply. Through essays, conversations and video lectures, I draw on film studies and cultural criticism to explore how cinema works on the screen, on our senses, and the wider world.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 356 | Founded | 3 years ago | Last Issue | 6 days ago |
| Active | |||||

Sophie (That Final Scene) wrote a typically insightful piece ruminating on the socio-psychological effects of AI, which got me thinking about the concept of resonance. And is there any hope?
It’s a risible understatement to say that AI and...
Watch now (134 mins) | In this session I explore the processes through which subjectivity becomes central to critical method
Welcome, friends.
This is a quick piece that I’ve fleshed out on Sunday morning because ’s argument spoke directly to my sense of the shortcutting historiography that gets applied to certain periods of cinema. The shortness of this is something of an outlier...
Some thoughts on the concept of cinematic belonging and resources for Session 5 of Becoming a Better Film Critic: Writing the Self through Film.
Welcome friends.
For this latest Cinema Body/Cinema Mind conversation, I was joined by the brilliant Marta Djordjevic, who took time out from preparing for the Vancouver International Film Festival to talk to me.
Welcome friends.
Subscribers, engagement, traffic and sponsorship for Cinema Body/Cinema Mind.
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How this newsletter ranks in the official Substack charts.
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The writers behind this newsletter.
Words, written and spoken, on film, culture, art, education, with a philosophical inflection.
Writing & podcasting about international, cult, and overlooked cinema, often through the lens of boutique physical media. Let’s rewind and revive.
yapper & cinephile, essays on intersection of film & culture
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