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Desirina Boskovich

Author of Lost Transmissions: The Secret History of Science Fiction and Fantasy (Abrams, 2019). Short fiction in Lightspeed, Nightmare, and F&SF. Writes about culture, technology, and the fringe appearance of the future in the present.

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Substack
PricingOnly free issuesPublishesWeekly
Issues5Founded3 months agoLast Issuea month ago
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Latest Issues

The mirror and the door: How to escape the algorithmic echo chamber and build aesthetics that actually evolve

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My sister and I have been holed up working on a creative project together, and so I had occasion to look over her shoulder and see her home feed on Pinterest. I was surprised by what I saw.

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Apophenia as creative practice: The art of seeing what the algorithm can't

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I was 17 when I read William Gibson’s Pattern Recognition for the first time. I was a college sophomore living on Emory University’s campus in Atlanta and my experience of the novel is so deeply and inex...

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Stop choosing, start everything: The creative practice that turns restlessness into momentum

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They taught us that creative work required focus.

When you hear the same message enough, it stops sounding like advice and starts sounding more like physics. If you want to create something great, choos...

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The labyrinth & the map: Conquering information overload with the commonplace book

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In the 1400s, the biggest libraries in Western Europe held a few hundred books. A dedicated scholar of that era could read basically every book available to them. Imagine… the sense of security. With some d...

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Input over output: How curation became the essential creative act

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Here’s what my creative training taught me: Ideas are cheap. It’s making the thing that counts.

There was a time — perhaps all of creative history, up until now — when inspiration felt effortless, compare...

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  • Desirina Boskovich

    Author of Lost Transmissions: The Secret History of Science Fiction and Fantasy (Abrams, 2019). Short fiction in Lightspeed, Nightmare, and F&SF. Writes about culture, technology, and the fringe appearance of the future in the present.

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