
Artist and Director of Science- South Devon
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 6 | Founded | a year ago | Last Issue | 8 months ago |
| Active | |||||

Recently I have been listening to the National Gallery podcast, Stories in Colour. A fascinating series involving curators, scientists, historians, and artists, looking at humanity’s efforts to make colour and explanations of a selection of...
Since my first ever painting, following along to an episode of ‘The Joy of Painting’ with Bob Ross, I was fascinated by the mix of colours he utilised. I was also intrigued by his use of the forms of Sienna and Umber paint...
A colour once more valuable than gold, but now available to any humble artist, Ultramarine blue paint has a rich history in both Art and History, but still holds great value on the canvas. The Science behind its blue colour, explored in mor...
I often find that the most ‘ordinary’ colours in my palette whilst painting, involve the most extraordinary chemistry. The vibrant blues and rich reds often grab my attention, but the indisputable importance of a humble white paint is the w...
As an artist who often paints beach and forest scenes, I often reach for a tube of Cobalt blue to capture cool blue skies and calm water. When I see it on the canvas, I can’t help but think of the electrons absorbing photons of light to jum...
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The writers behind this newsletter.
The science behind my artworks
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