A consideration of art, freedom, and civilization.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 386 | Founded | 4 years ago | Last Issue | 3 days ago |
| Active | |||||
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dissidentmuse.substack.comLatest Issues
The Time to Work
Charles Burchfield, The Moth and the Thunderclap, 1961, watercolor and charcoal on paper, 36 x 48 inches, Burchfield Penney Art Center, Collection of the Burchfield Penney Art Center, Gift of Charles Rand Penney, 1994 (source)
From the 193...
Homer in Portland
Winslow Homer, The Life Line, 1884, oil on canvas, Philadelphia Museum of Art (source)
My review of “Winslow Homer: Painter, Etcher” at the Portland Museum of Art appears in the October 2026 issue of The New Criterion, in the forthcoming p...
A Different Place
I’m pleased to announce my participation in “A Different Place,” opening next week at The Kalā Salon in Kathmandu, curated by Jo Rankine and Sophia L Pandé. I’ll have a few digital prints in the exhibition, representing gouache paintings I...
Boy George Versus the Church of the Poison Mind
Boy George, pencil and digital, 2026, ©FE
As a shrimpy and nervous adolescent, I was bullied from Grade 7 until Grade 11, when I dated my first girlfriend. In those earlier years, I was called a fag and its variations quite a bit. It was a...
To Bear Witness to Oneself
Kitao Shigemasa, Young Women Playing Go
From Gestures (2014) by Vilém Flusser, translated by Nancy Ann Roth.
“There are two levels of history: the four-dimensional one of daily life and the three-dimensional one of the Cartesian basilicas...
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Authors
The writers behind this newsletter.
Artist, art writer, comics poet, latter scion of the modernist project, Fulbright scholar, editor of Aphorisms for Artists by Walter Darby Bannard, OG blogger, navigating the collapse of liberalism armed with only a paintbrush.
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