
Occasional essays on literature, poetry, movies, and culture, with a particularly obsessive interest in Patrick O'Brian's Aubrey-Maturin novels, plus a little fiction of my own.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 135 | Subscribers | Read | joshuacorey.substack.com |
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For the past half-dozen years I’ve been using Lynda Barry’s “Writing the Unthinkable” pedagogy in my creative writing courses, with great success.1 Her book What It Is teaches its readers to recover the creativity they unselfconsciously enj...
Margaret Qualley and Ethan Hawke in Blue Moon.
Seated from left to right: Ernest Hemingway, Harold Loeb, Lady Duff Twysden, Hadley Richardson Hemingway, Donald Ogden Stewart, and Pat Guthrie. Taken during the July 1925 trip that inspired Hemingway’s novel. (Wikipedia)
He is a little man, a resentful outsider chock-full of grievances who routinely mutilates the language of the nation he has captured, whose fanatical self-belief persuades millions of others to follow him as fanatically into destruction. Hi...
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The writers behind this newsletter.
Editor-in-Chief of The Fortnightly Review. Patrick O’Brian superfan. Professor of English at Lake Forest College.
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