
East European Cinema and more! A growing database of film reviews, festival coverages, discussions around the great classics.
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 150 | Subscribers | Read | easteuroflicks.substack.com |
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“Cinéma verité? That has been done already.”, suggests a character in Man of Marble. Wajda, at 50, with a career behind him as one of the great filmmakers of Polish cinema, likely knew that he was not doing something that has never been mad...
After an opening in a romantic context, the film turns to a scene paced by Wojciech Kilar’s rhytmical score, mimicking the noises of a factory, as workers walk from their slums in the morning, wealthy owners pray according to their own fait...
The stark, cold landscape of a concentration camp contrasts with the joyful tone of Vivaldi’s “Autumn”, as the prisoners free themselves amidst the ongoing warfare. Wajda’s Landscape After Battle opens on one of the most striking depictions...
When, in 1967, Zbigniew Cybulski passed away while shooting a train sequence, the polish film industry was struck by grief. Cybulski had at that point starred in over a dozen films in an incredibly short span, and became known international...
The writers behind this newsletter.
Based in Italy, Viktor Toth is a hungarian film critic and filmmaker-in-the-making. A frequent collaborator of the italian outlets East Journal and ODG Magazine, has collaborated with Cineuropa, Klassiki Online, Easternkicks.
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