
East European Cinema and more! A growing database of film reviews, festival coverages, discussions around the great classics.
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 174 | Founded | a year ago | Last Issue | 8 days ago |
| Active | |||||

The concept of an east european film that addresses a social commentary throught the perspective of a domestic animal has become, in recent years, a classic internet trope to denote something undecipherable and niche. Yet, György Pálfi’s He...
The Circle’s opening scene might remind international connoisseurs of Mungiu’s R.M.N., with steps over a dry winter setting, the threatening presence of a hunter gun. Valeriu Andriuta’s film is however very much its own thing, compared to a...
Mambo Maternica’s concept draw the attention in its very controlled opening. Three different hungarian women, in different speaking countries, are being spoken to by an individual off screen, illustrating a medical or legal procedure regard...
There’s a sense of magical-realist, of poetic, as A River’s Gaze juxtaposes textures of animals and people in a carefully conceived opening scene that jumps in the middle of a beautifully lit nocturne, in which the quiet silence is mildly b...
“I want this film to end”, the main character screams from the bottom of his lungs, but it is much too late, for way too long has the film been running, a remake of the spanish black comedy, borderline horror film The Coffee Table.
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The writers behind this newsletter.
Based in Italy, I'm a film critic and filmmaker-in-the-making. I have collaborated with Cineuropa, Klassiki Online, Easternkicks. East European Flicks is my personal cross-platform project, centered on east european cinema.
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