
Everything East European Cinema in one place! Reviews of contemporary and classic films from the Balkans to the Caucasus - also on instagram!
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 195 | Founded | a year ago | Last Issue | 13 days ago |
| Active | |||||

Ilya Khrzhanovsky just won the Silver Lion award as best director at the Venice Film Festival for DAU. Technically, DAU was supposed to be his second feature film after 4, by now a cult-like film that is widely considered one of the most cr...
Between flashes of lens flares and the chaos of an ever-moving frame, faces and stones move frantically. The euphoria of student protests — those that have been taking place in Belgrade — takes over Until the day ends by Jelena Maksimović i...
The film that is supposed to be the crowning achievement in decades of russian born filmmaker Ilya Khrzanovsky’s career, DAU, is a true cult myth of east european cinema: largely filmed in a fully built filmset that simulates a soviet lab,...
To be exposed, entirely, bare, in front of the camera’s penetrating gaze. Somehow, that is I plant my hand in the Garden’s aim, as it completely ignores the concept of a linear storyline or framework, and presents its filmmakers as their al...
The somber notes of Mahler estabilish the solemnity of Florin Şerban’s first feature film in six years, as shots of a small provincial romanian town intertwine with the violent action of masked men. You don’t belong here immediately is perv...
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The writers behind this newsletter.
Based in Italy, I'm a film critic and filmmaker-in-the-making. I have collaborated with Cineuropa, Klassiki Online, Easternkicks. East European Flicks is my personal cross-platform project, centered on east european cinema.
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