Elaine Del Valle
I write for filmmakers and storytellers about the real work behind making films—from festivals and craft to strategy, confidence, and creative career building.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 8 | Founded | 6 months ago | Last Issue | 3 months ago |
| Active | |||||
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elainedelvalle.substack.comLatest Issues
I Watched a $200 Million AI Movie That Doesn’t Exist — And It Scared Me
Yesterday I watched the trailer for a $200 million movie that doesn’t exist.
It was made in a day.
And I couldn’t look away.
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To be precise: the claim came...
What Film Festivals Taught Me About Building a Career
Film festivals didn’t just help me get my work seen.
They taught me how careers are actually built.
Not all at once.
Not loudly.
And not in the ways I expected.
What I learned came slowly—through screenings I attended and some I didn...
How to Start Writing Your Story When You Don’t Know Where to Begin
One of the questions I get asked most often is how I decided what parts of my life to include in Brownsville Bred.
But beneath that question is usually a quieter one—one I hear from writers, filmmakers, and people who don’t yet call themse...
The Pitch Deck Is the Work
Most people think pitch decks exist for other people.
Executives. Funders. Buyers. Gatekeepers.
But I’ve always built them for myself first—long before anyone asks for one, and often long before anyone is listening.
Throughout this piec...
Why Passing the Bechdel Test Still Feels Radical
Before I share a scene from Brownsville Bred—one of many moments where women speak to one another about their own lives—I want to offer some context for why scenes like this still matter, and why they continue to be rarer on screen than man...
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The writers behind this newsletter.
Award-winning filmmaker. I share the process—not just the outcomes. Brownsville Bred—the only U.S. live-action narrative by a Latina to earn Oscar eligibility—cements her as a rising power in U.S. independent film.
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