Entertainment, Weakly
Patrick NathanEssays and letters against feeling absolutely hopeless about entertainment, culture, and politics, and the way art touches all of them.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 85 | Founded | 7 years ago | Last Issue | a month ago |
| Active | |||||
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Nothing to See Here
After several months, I picked up my camera and took it with me. It was the first seventy-something day of the year and we’d rallied some friends for a picnic. Spending a little film “made sense.” But like uncapping a pen and feeling it gli...
The War on Terror Comes Home
To label dissent as terrorism is the most extreme example of disqualification, the dominant aesthetic of our time.
MINNEAPOLIS — Leave it to a poet to coin the line of the twenty-first century. In 2016, Solmaz Sharif opened her debut colle...
Another Year of Reading
In May, when I began a fresh notebook (no. 24, if you’re curious), I wrote, “Whatever I write here, I will see whenever I flip back. It can seem naïve or pessimistic, hopeful or cynical.” Over the years I’ve learned not to hope, or at least...
The Horror of the Husband
If you wanted to be irritating, you could distill the history of the modern literary novel down to two characters whose infidelities drive each to suicide. Even better is their polarity: one is tragic, the other comic; and ever after we hav...
Recreating the Creative Act
In the opening shot of Ira Sachs’ Peter Hujar’s Day, which hits a handful of indie and art house theaters peppered throughout the country this Friday, there is no Peter Hujar. Instead, Ben Whishaw stands outside a film set, awaiting the dir...
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author (The Future Was Color + Some Hell + Image Control)
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