
Essays and letters against feeling absolutely hopeless about entertainment, culture, and politics, and the way art touches all of them.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 83 | Founded | 6 years ago | Last Issue | 5 months ago |
| Active | |||||

In May, when I began a fresh notebook (no. 24, if you’re curious), I wrote, “Whatever I write here, I will see whenever I flip back. It can seem naïve or pessimistic, hopeful or cynical.” Over the years I’ve learned not to hope, or at least...
If you wanted to be irritating, you could distill the history of the modern literary novel down to two characters whose infidelities drive each to suicide. Even better is their polarity: one is tragic, the other comic; and ever after we hav...
In the opening shot of Ira Sachs’ Peter Hujar’s Day, which hits a handful of indie and art house theaters peppered throughout the country this Friday, there is no Peter Hujar. Instead, Ben Whishaw stands outside a film set, awaiting the dir...
It’s four in the morning (the midst of October) and I’m writing you now — because I’ve just finished a novel, and can’t sleep. Sometimes it’s as simple as that, because I couldn’t sleep. So I got up and made coffee and I have no book to wri...
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The writers behind this newsletter.
author (The Future Was Color + Some Hell + Image Control)
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