We're a not-for-profit organisation that celebrates the creativity and craft of writing through our community of members. Most work with words for a living, but we welcome anyone who cares about words and writing.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 188 | Founded | 2 years ago | Last Issue | 2 months ago |
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26writersgroup.substack.comLatest Issues
Why Words Matter
UCL is 200 years old this year, and has been first in so many things over that time, expanding the world’s knowledge. First university in London, first to require no faith for entry, first to have a teaching hospital. This episode features...
In conversation: Rishi Dastidar and Gita Ralleigh
Gita to Rishi: Cherry Blossom at Nightbreak feels infused with lightness – your trademark wit of course, but also a new tenderness and a playful approach. Were you having as much fun writing as we are reading?
Rishi to Gita: It’s funny tha...
A Writing Life with Anita Holford
On the first Saturday of May, I joined the procession winding down Monmouth’s high street for the Wye Valley River Festival. Artists, locals and community groups coming together, marching with models and puppets and signs they’ve made for t...
Family Matters
There is a particular kind of courage required to write about family. Not because it is difficult to find the words – it is difficult to find the right ones. The ones that don’t flatten what is complicated, or sentimentalise what is painful...
Why Words Matter
This episode is about dialect, in the main Yorkshire dialect, but with reference to the many others across the UK. It looks at how dialect develops, why it’s important and who speaks and writes it.
Writer, performer and cultural historian...
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The writers behind this newsletter.
26 is a not-for-profit organisation that celebrates the creativity and craft of writing through our community of members. Most of our members work with words for a living, but we welcome anyone who cares about words and writing.
One of 100 poems I wrote in 100 days. Calligrapher and good friend Peter Gilderdale wrote it in one meter high letters on the beach.
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