
A temple for artists and visionary leaders ready to come fully alive in their brilliance and live their legacy. Creative Liberation: unapologetic embodied expression, held with devotion. From Alicia Keys’ creative partner, now building Sacred Media.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 31 | Founded | 2 years ago | Last Issue | 18 days ago |
| Active | |||||

I was a child when I was groomed to love my abuser unconditionally, and the abuse was emotional and mental, not sexual, and there were years where I didn’t have language for what was happening to me, and so I did what children do, I made ex...
This season of ILLUMINATED is devoted to the sacred artist. What it means to create as an act of devotion, truth, and service.
And there is no more sacred act of creation than bringing a life into the world.
This week’s episode is with my...
It was a few days before Thanksgiving and I was standing in my bedroom, which had been my bedroom and not our bedroom for three years by then, thinking about a bed.
I hadn’t said anything out loud, not to my husband and not to my children,...
Season Two of ILLUMINATED is here. I Work for God
This first one is just me. I talk about the twenty years I spent inside the music industry, what it took to protect my channel in rooms where everyone wanted something from it, and why most...
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I was twenty-one years old, a few months into working on one of the biggest albums of that decade, when a man I barely knew started calling me every night at ten o’clock.
He was the nephew of a music mogul. We’d met...
Subscribers, engagement, traffic and sponsorship for Eset Rose- Temple of Creative Liberation.
| Subscribers | Engagement | 71 | Monthly Web Visits | ||
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| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Cultural Architect. Writer. Artist. Twenty years as creative partner to Alicia Keys. Writing about Creative Liberation — the inner architecture that lets you hold your brilliance and wield it.
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