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Essays on the Imperial Ballet

Peter Koppers

The lost world of Marius Petipa and his time and age brought back to you.

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Latest Issues

Esmeralda Felixovna, pt 1

From left: Matilda and Iosif Kschessinsky (early 1890s), Kschessinskaya as Esmeralda by the Legat Brothers, Virginia Zucchi in Esmeralda (1886)

(All pre-1918 Dates are given Old Style. The ballet Esmeralda is given in Italics, the role is...

a month ago
4

Varvara Rikhlyakova

Varvara Rikhlyakova, from left: in La Bayadere (Second Shade), caricature by the Legat Brothers, in The Mikado’s Daughter (Dance under the Parasol)

(All pre-1918 Dates are given Old Style)

Introduction
The names of Matilda Kschessinskay...

3 months ago
4

The Tragedy of Sergei Legat, pt 4

From left: Sergei Legat and Maria Petipa, Sergei Legat, Smolensk Cemetery, St Petersburg

(All pre-1918 dates are given Old Style)

Cont’d from Part 3

Introduction
The political and economic storm over Russia cannot be stopped. Despite h...

8 months ago
2

The Tragedy of Sergei Legat, pt 3

From left: Sergei Legat in Paquita, portrait, announcement of Petipa’s Magic Mirror (9 Feb 1903)

(All pre-1918 dates are given Old Style)

Cont’d from Part 2

Introduction
Sergei has co-choreographed The Fairy Doll with his brother Nicol...

8 months ago
3

The Tragedy of Sergei Legat, pt 2

From left: costume design for Jean de Brienne/Raymonda by Ivan Vsevolozhsky (1898), Sergei Legat, caricature of Sergei in Raymonda by the Legat Brothers (1902)

(All pre-1918 dates are given Old Style)

Cont’d from Part 1

Introduction
Se...

9 months ago
3

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  • Peter Koppers

    Ballet Teacher, former Ballet dancer, Doing Ballet History. Career: Het Nationale Ballet (1985-1988), Berlin Ballett (1988-1991), Pandora (1991-1998), Theatre School Amsterdam/Academy of the Arts (1999-)

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