
Iconologist, curator, and writer drawn to the pre-modern world. Interdisciplinary practice blends art, history, and archaeology, exploring material/immaterial intersections.
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“Over them I pour libations.
And now it’s your task to wreathe them with the flowers of mourning,
to sing praises of the dead.”1
There is an absence in the pouring of a libation. An irreversible disappearance: Death. The poured libation...
Kefalonia. Kefallinia. Kephallenia. Cephalonia. Cefalonia.
An incantation.
To summon its name is to enchant, as Circe, the Greek goddess of sorcery (pharmakeia), did to Odysseus's men in Homer’s The Odyssey when they landed in her home, t...
Flowers are hauntingly delicate like a sigh of nobody in the dark.
- Clarice Lispector, Água Viva
The scent of flowers is mortal. We revere at their fragrant altar. They allude to the past and bind us to the present, reminding us of our...
Konrad von Megenberg, The Book of Nature, Augsburg: Johann Bämler, 1475. Courtesy of the Morgan Library & Museum.
What is wonder, and where does it come from? What makes it compelling when it touches you? Octavio Paz wrote that strangen...
Fabiola Alondra, Imago Diaboli, Published by Heinzfeller Snow, 2024
Enthusiasm. Experience this word as a murmur. Feel the softness of "En"; pronounce the "thu" as a gentle hiss, like a delicate breeze caressing your skin. Prolong the "si"...
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The writers behind this newsletter.
Iconologist, curator, and writer drawn to the pre-modern world. Interdisciplinary practice blends art, history, and archaeology, exploring material/immaterial intersections. Warburg Assetto Fellow 2026.
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