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fede

she/her • writer • it → us → uk

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Substack
PricingOnly free issuesPublishesWeekly
Issues6Founded4 months agoLast Issue14 days ago
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Latest Issues

Backrooms (2026) and the Collapse of Meaningful Categories

I never really understood what was so scary about the concept of the Backrooms. I have always enjoyed watching YouTubers play horror games, but I would usually find Backrooms videos kind of boring. I preferred something with more jump scare...

14 days ago
7
1

An Odyssey Without Its Essence: On Nolan's The Odyssey (2026)

Christopher Nolan’s The Odyssey is a great movie. It is ambitious in scope and impressive in its final execution. We knew even before its release that this was not going to be a faithful adaptation of Homer’s poem, but rather a modern reint...

a month ago
22
6

Obsessing Over Obsession (2026): The Horror of Being Loved Without Choice

Yesterday I watched Obsession (2026), and after finishing it, I can safely say it is one of those horror films that leaves you with something beyond fear: a much more visceral feeling about its implications.

The premise itself is not orig...

2 months ago
15
2

The Unease of Knowing: Reflections on Disclosure Day (2026)

Disclosure Day (2026) was nothing like I expected, and I found myself having conflicting thoughts throughout the entire film.

I usually do not enjoy movies set in our world that introduce supernatural elements without clearly establishing...

2 months ago
17
9

Why Supergirl (2026) Made Critics So Mad?

Supergirl (2026) had incredibly high expectations, probably even higher than last year’s Superman, for several reasons.

First, this movie had the difficult task of continuing the new DC universe that James Gunn is building, meaning it had...

2 months ago
60
33

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  • fede

    english literature msc student | italy • usa • uk | essays on cinema, storytelling, and the questions films leave us with | every piece contains spoilers unless stated otherwise!

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