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Artwork for Feedback for Conservators

Feedback for Conservators

marta estadella colomé, Elisa Baronti Marchió

✍️ A place to share some professional advice and tips to help those art conservators that need it. Out twice a month, for a year ✍️

Platform
Substack
PricingOnly free issuesPublishesWeekly
Issues22SubscribersRead feedbackforconservators.substack.co...

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Latest Issues

Recent posts by this newsletter. Browse the email archive.

✍️ The newsletter: Feedback for Conservators #20

This is a monthly free newsletter project that came from the Initiative Feedback for Conservators ✍️: a place to bring a little bit of professional advice to help on topics that I wish I knew more about at the start of my art conservation c...

7 months ago
2
2

✍️ The newsletter: Feedback for Conservators #19

This is a monthly free newsletter project that came from the Initiative Feedback for Conservators ✍️: a place to bring a little bit of professional advice to help on topics that I wish I knew more about at the start of my art conservation c...

8 months ago
4
0

✍️ The newsletter: Feedback for Conservators #18

This is a monthly free newsletter project that came from the Initiative Feedback for Conservators ✍️: a place to bring a little bit of professional advice to help on topics that I wish I knew more about at the start of my art conservation c...

9 months ago
2
0

✍️ The newsletter: Feedback for Conservators #17

This is a monthly free newsletter project that came from the Initiative Feedback for Conservators ✍️: a place to bring a little bit of professional advice to help on topics that I wish I knew more about at the start of my art conservation c...

10 months ago
3
1

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Authors

The writers behind this newsletter.

  • marta estadella colomé

    polychromed wooden sculpture conservator // [email protected] // www.martaestadella.com/Feedback-for-conservators // Check and subscribe to my two art conservation newsletters \ud83d\udc47

  • Elisa Baronti Marchió

    I am Elisa, and I work as a conservator. My area of expertise lies in restoration of canvas and panel paintings. I earned my degree from the Opificio delle Pietre Dure in Florence and I am working at the Museo Nacional del Prado with one-year grant.

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