
Occasional musings and writings about art by Grace Byron. Cover Image: Greer Lankton
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 51 | Subscribers | Read | gracebyron.substack.com |
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Why is the Right so appealing to young women novelists? The protagonists of Anika Jade Levy’s Flat Earth and Madeline Cash’s Lost Lambs are enamored by incels and Info Wars, soldiers and QAnon. They also care about God, or at least they enj...
The hospital took something from me. It also replaced absence with presence, experiences both frustrating and fruitful. For a long time, I believed I was swimming only in loss. My years in the hospital were also marked by death. I should’ve...
$35 million dollars is a lot to spend on promoting nationalistic propaganda. Aren’t fascists known for cutting sweetheart deals? Melania’s titular documentary, directed by the disgraced Brett Ratner, has already attracted critics’ ire. It’s...
One of the first political reporters I knew by name growing up was NPR’s Mara Liasson. I was fascinated by the way she both reported on and seemed chummy with Republican politicians. But I was also fascinated by the fact she claimed to be a...
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The writers behind this newsletter.
Grace Byron is a writer from the Midwest based in Queens. Her writing is frequently in The New Yorker, Bookforum, Vogue, The Nation, and elsewhere. Her debut novel Herculine is out now.
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